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Authenticity and early music : a symposium / edited by Nicholas Kenyon.

Van Pelt - Albrecht Music Library ML457 .A98 1988
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Format:
Book
Contributor:
Kenyon, Nicholas, 1951-
Language:
English
Subjects (All):
Music--Performance--Congresses.
Music.
Music--Performance.
Style, Musical--Congresses.
Style, Musical.
Music--History and criticism--Congresses.
Genre:
Conference papers and proceedings.
Physical Description:
xv, 219 pages, : music ; 23 cm
Place of Publication:
Oxford [England]; New York : Oxford University Press, 1988.
Summary:
Nothing has more profoundly influenced the development of music making over the last two decades than the growth of the historical performance movement. Perceived by some as a threat, an indication of our loss of faith in our powers of musical creation, and by others as part of the evolution of modern attitudes towards performing styles, this trend towards "historically correct" interpretation has inspired lively debate among scholars and performers. Examining and questioning the prevailing basis for the so-called "authenticity" movement, this collection of papers deals with the conflict between approaching early music performance with respect for the composer's original intentions, and the shortcomings, according to many musicians, that this produces. The contributors include Gary Tomlinson, Will Crutchfield, Howard Mayer Brown, Robert Morgan, Philip Brett, and Richard Taruskin.
Notes:
Includes bibliographies and index.
ISBN:
0198161522 :
0198161530
OCLC:
17951572

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