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A year in the dark, journal of a film critic, 1968-69. / Renata Adler.

LIBRA PN1995 .A3
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LIBRA - Special PN1995 .A3
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Format:
Book
Author/Creator:
Adler, Renata.
Contributor:
Gotham Book Mart Collection (University of Pennsylvania)
Language:
English
Subjects (All):
Motion pictures--Reviews.
Motion pictures.
Genre:
Reviews.
Penn Provenance:
Gotham Book Mart (former owner) (Gotham Book Mart Collection copy)
Physical Description:
xxv pages, 3 unnumbered pages, 354 pages, 2 unnumbered pages ; 22 cm
Place of Publication:
New York : Random House, [1969]
Contents:
The wicked dreams of Paula Schultz
The movies make heroes of them all
Norman Mailer's Wild 90
China is near: A mother is like a flower
Venom: Two purposes in life
Our monuments to how it was
Mann's Tonio Kroger
The biggest bundle of them all at an all-night theater
Cartooning and Animations: Zagreb
Love song of two paragons: Questions of geography, mass production and personal hygiene
The good, the bad and the ugly: Immortal lines
Sebastian: Omnispoof
Cold blood, cheap fiction
The bright side of Poor cow and things lost track of
Today's stars, and the point where the quiet center tilts
Doctor Faustus: Mr. Burton and Miss Taylor half in Tamburlaine
Sweeet November: Twelve affairs at the music hall
Planet of the apes
Winter kept us warm at colleges
A brilliant breakdown
Albert Finney's Charlie Bubbles
The fastest guitar alive at exam time
Tell me lies tells you how to go mindless
Claude Berri's The two of us
Half a sixpence
Sidney Lumet, groups and Bye bye Braverman
The imperialist scriptwriter and A matter of innocence
Underground Windflowers and Guerrilla newsreel
The fox, and Charlie Bubbles again on Sunday
The treasure of San Gennaro: Breaking-and-entering addicts
We still kill the old way
Paul Newman in The secret war of Harry Frigg
The negro that movies overlook: Stereotypes
Voices in Here we go round the Mulberry bush
Whole cloth: 30 is a dangerous age, Cynthia
The power gives one pause
Not tuning in to the sound of new music
Monica Vitti, sex comedy, The queens
Wading into the lives of other people, Up the junction
Nemec's Diamonds of the night and Eisenstein's strike
Kahlil Gibran's The broken wings
On reviewing, I: Turnstiles
The producers: A gay romp in Berchtesgaden and one mistake
Awards, feathers, I even met happy gypsies
Bette Davis in The anniversary
Disney studio's The one and only genuine original family band
If you need anything, just whistle: sex
Benjamin
Psych-out and Cobra
Anyone for a good cry: Empathies
A dandy in Aspic: Trying to play monotone
Stanley Kubrick's 2001: A space odyssey
Jean-Luc Godard's La chinoise
Pier Paolo Pasolini's Accattone!
Drive-ins: To park and get protection
Ingmar Bergman's Hour of the wolf
Will Penny
Sugared calamity: The young girls of Rochefort
Horror films, Bergman and Belle de jour
The underground and Illiac passion
Self-addressed polemics, Maoists and girls on Sunday
Lucille Ball and Henry Fonda in Yours, mine and ours: Don't look at me. I just got here
Godard's Les Carabiniers
On short films
War and peace
The spy film: Yul Brynner in The double man
The odd couple, from the stage
War, foreign languages and war again on Sunday
Physical courage, The fifth horseman is fear
Bob Hope, Phyllis Diller and N.B.C. in the private navy of Sgt. O'Farrell
Style politics: The demonstration as film
Robbe-Grillet's Trans-Europe express: The notion that things make any sense at all
Therese and Isabel
Style politics II: La chinoise on Sunday
Pharmacology, Prudence and the pill
Fracas at the Cannes festival
How their world might ideally be
Bellochio's Fist in his pocket: People for whom happiness is not at all possible
The long day's dying
Wild in the streets
Two films that opened the day after the shooting in Los Angeles
Very far from Vietnam
On unvicarious suffering in voices in old age home
Richard Lester's Petulia
Survival 1967
Roman Polanski's Rosemary's baby
Elvis Presley in Speedway, and Sol Madrid
Children and metaphors
The queen of the Camp pageant
The green berets
Luis Bunuel's Nazarin: Bubonic mirth
Claiming responsibility, asserting control
Francois Truffaut's The bride wore black
The Thomas Crown affair
Have you heard of the San Francisco Mine Troupe?
The absolute end of the romance of war
Dark of the sun and Custer of the west: Hostels
Anyone for a laugh: Exemptions
Alan Arkin in Inspector Clouseau
Marcello Mastroianni in Kiss the other sheik
The heart is a lonely hunter: Place resonance
Time, old movies and exhausting life
Today Malone in Revolution
Wholesomeness when the lights went out
Chance and a personal signature
True Hunger
The conqueror worm and other horrors
Steps, trenches and the love of ivy
Hugs and kisses, beetles
The legend of Lylah Clare
Traversing distances to strangers
Joanne Woodward in Rachel, Rachel
In old port of Rome Rossellini makes a film
The insane world: where will they work?
Venice film festival, if there should be a death, Pasolini and La Patate
More festival in Venice
Our Faces, laughter, narrative
From spaghetti to Paella westerns
Jean Renoir's Toni
Orson Welles's The immortal story
Funny girl
A report on the party and the guests
Film time: La religieuse
You are what you eat
Marzipan sensuality: 24 hours in a woman's life
Intense whisper: Two or three things I know about her
Claude Chabrol's Les biches
A terminal smashup: Weekend
Naked childhood and natural singing
A cinematheque for us
The fireman's ball and oratorio for Prague
Patience for the transition to little films
Zeffirelli's (and some of Shakespeare's) Romeo and Juliet
Finian's Listless Rainbow
Barbarella
Temper, misogyny and couples in theaters
Steve McQueen in Peter Yates's Bullitt
Tony Curtis in The alleged Boston strangler
Thoughts for 1,001 nights, and Warrendale
Julie Andrews in Star!
Weekend, and antagonizing audiences
The hard ticket Lion in winter
The split
Shalako, cinerama, Sean Connery, Brigitte Bardot
The Monkees in Head
A terrific moment in The split, ramblings and a night at C.C.N.Y.
Yellow submarine
Anthony Quinn in The shoes of the fisherman
The Beatles, a good non-literary education under forty
Godard stalks the real through movies: Report when color adds nothing
Joanna (and Faces)
On reviewing, II: A Wayne sympathetic frame of mind
Euphemisms: The impossible years
Michael Sarne sees his film at the movies
The fixer
The magus
Shells on Sunday
The killing of Sister George: Not much of a first
Candy
Chitty Chitty bang bang
Ice station Zebra
The ten best films of 1968
Shame
Monterey Pop
Documentary and Up tight
James Card of the Eastman house
Three Cuban cultural reports with films somewhere in them.
Notes:
Author's first book.
Local Notes:
Gotham Book Mart Collection copy has dustjacket retained.
OCLC:
53952

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