Filtering histories : the photographic bureaucracy in Mozambique, 1960 to recent times / Drew A. Thompson.

Format:

Book

Author/Creator:

Thompson, Drew A.

Series:

African Perspectives

Language:

English

Subjects (All):

Photography--Political aspects--Mozambique--History.

Photography.

Bureaucracy--Mozambique--History.

Bureaucracy.

Decolonization--Mozambique--History.

Decolonization.

Physical Description:

1 online resource (361 pages)

Edition:

1st ed.

Place of Publication:

Ann Arbor, Michigan : University of Michigan Press, 2021.

Summary:

Photographers and their images were critical to the making of Mozambique, first as a colony of Portugal and then as independent nation at war with apartheid in South Africa. When the Mozambique Liberation Front came to power, it invested substantial human and financial resources in institutional structures involving photography, and used them to insert the nation into global debates over photography's use. The materiality of the photographs created had effects that neither the colonial nor post-colonial state could have imagined. Filtering Histories: The Photographic Bureaucracy in Mozambique, 1960 to Recent Times tells a history of photography alongside state formation to understand the process of decolonization and state development after colonial rule. At the center of analysis are an array of photographic and illustrated materials from Mozambique, South Africa, Portugal, and Italy. Thompson recreates through oral histories and archival research the procedures and regulations that engulfed the practice and circulation of photography. If photographers and media bureaucracy were proactive in placing images of Mozambique in international news, Mozambicans were agents of self-representation, especially when it came to appearing or disappearing before the camera lens. Drawing attention to the multiple images that one published photograph may conceal, Filtering Histories introduces the popular and material formations of portraiture and photojournalism that informed photography's production, circulation, and archiving in a place like Mozambique. The book reveals how the use of photography by the colonial state and the liberation movement overlapped, and the role that photography played in the transition of power from colonialism to independence.

Contents:

Intro

Contents

List of Abbreviations

List of Figures

Acknowledgments

Introduction. Filters, Filtering, and Mozambique's Photographic Bureaucracy

Chapter 1. Portugal's Photographic Play

Chapter 2. Paper Diplomacy

Chapter 3. The Photographer as Bureaucrat, the Bureaucrat as Photographer

Chapter 4. ID'ing the Past

Chapter 5. Naming Mozambique's Dead Photographs

Epilogue. The End?

Notes

Bibliography

Index.

Notes:

Includes bibliographical references (pages 303-315) and index.

Description based on information from the publisher.

Description based on publisher supplied metadata and other sources.

ISBN:

9780472127184

0472127187

OCLC:

1225197952