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Intents and purposes : philosophy and the aesthetics of improvisation / Eric Lewis.

University of Michigan Press Ebook Collection 2019 Available online

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Format:
Book
Author/Creator:
Lewis, Eric, 1961- author.
Contributor:
Michigan Publishing (University of Michigan), issuing body.
Language:
English
Subjects (All):
Jazz--Philosophy and aesthetics.
Jazz.
Improvisation (Music).
Physical Description:
1 online resource (281 pages)
Place of Publication:
Ann Arbor, Michigan : University of Michigan Press, 2019.
Summary:
How do we define improvised music? What is the relationship of highly improvised performances to the work they are performances of? How do we decide what are the important parts of an improvised musical work? In Intents and Purposes, Eric Lewis uses a series of case studies to challenge assumptions about what defines a musical work and musical performance, seeking to go beyond philosophical and aesthetic templates from Western classical music to foreground the distinctive practices and aesthetics of jazz. Pushing aside the assumption that composition and improvisation are different (or even opposed) musical practices, Lewis' philosophically informed approach revisits key topics in musical ontology, such as how to define the triangle of composer-performer-listener, and the status of live performances in relation to scores and recordings. Drawing on critical race theory, feminist theory, new musicology, sociology, cognitive science, and genre theory, Lewis opens up new questions about agency in performance, as well as new ways of considering the historical relationships between improvisational practices with roots in different cultural frameworks. By showing how jazz can be both art, idea, and action all at the same time, Lewis offers a new way of seeing any improvised musical performance in a new culturally and aesthetically rich context.
Contents:
Introduction: why an ontology of jazz?
What does the law hear? James Newton and the Beastie Boys
Intentions, agency, and improvisation: from machines to the imaginary
It ain't over till it's over: work completion in improvised music
Paris, 1969: musical understanding, genres, and aesthetic denseness
My favorite things: performance, paraphrase, and representation.
Notes:
Includes bibliographical references and index.
Description based on information from publisher.
ISBN:
9780472125081
0472125087
OCLC:
1076574086

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