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Found Footage Films : A Work of Experimental Scholarship.

Bloomsbury Collections: Music & Sound Studies 2026 Available online

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Format:
Book
Author/Creator:
Remes, Justin.
Series:
New Approaches to Sound, Music, and Media Series
Language:
English
Subjects (All):
Experimental films.
Semiotics and motion pictures.
Physical Description:
1 online resource (197 pages)
Edition:
1st ed.
Place of Publication:
New York : Bloomsbury Academic & Professional, 2026.
Summary:
Examines the rich history of cinematic remixes, from pioneering films by Joseph Cornell and Bruce Conner to contemporary mashups and memes.
Contents:
Cover
Half Title
Series Page
Title
Copyright
Contents
Foreword by Tom Gunning
Foreword by Scott MacDonald
Acknowledgments
Introduction: Plagiarism and Progress: Theorizing Found Footage Cinema
1 Remembrance of Films Past: Desire and Nostalgia in Rose Hobart
2 Objects to Be Destroyed: Assaulting the Image in Golf
3 Some Like It Pop: Replication and Repetition in MARILYN TIMES FIVE
4 Nothing to See Here: Antiretinal Aesthetics in A Movie Will Be Shown Without the Picture
5 A Boy's Best Friend Is His Mother: Rage and Matricide in Murder Psalm
6 A Perfect Analysis of Perfect Film
7 Dream Lover: The Return of the Repressed in Alone. Life Wastes Andy Hardy
8 Losing Perspective in Dream Work
9 In Search of Lost Time: Watching The Clock
Conclusion: Steamed Hams but It's a Reflection on Contemporary Found Footage Memes 1
Notes
Index.
Notes:
Description based on publisher supplied metadata and other sources.
Part of the metadata in this record was created by AI, based on the text of the resource.
ISBN:
9798216200888
OCLC:
1595733162

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