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Russo-Soviet Imperialist Hauntings : Neo-Gothic Geographies in Central and Eastern Europe Since 1989.
- Format:
- Book
- Author/Creator:
- Krys, Svitlana.
- Series:
- International Gothic Series
- Language:
- English
- Subjects (All):
- Postcolonialism in literature.
- Gothic fiction (Literary genre).
- Physical Description:
- 1 online resource (429 pages)
- Edition:
- 1st ed.
- Place of Publication:
- Manchester : Manchester University Press, 2026.
- Summary:
- Russo-Soviet imperialist hauntings conceptualizes neo-Gothic texts from the former Eastern Bloc countries and Soviet republics in postcolonial terms. It maps virtually untouched aspects of cultural decolonization, focusing on the uncanny return of repressed and unsettling "hauntings" of unresolved memory traces of Russo-Soviet domination.
- Contents:
- Cover
- Half Title
- Series Page
- Title Page
- Copyright information
- Dedication
- Contents
- Contributors
- Series editors' preface
- Preface
- Notes
- Acknowledgements
- Note on translation and transliteration
- Introduction to Russo-Soviet imperialist hauntings
- Foundational violence: specters of empire
- In pursuit of ghosts
- Pervasive ghostliness
- Self-designated postcolonial doppelgängers
- Undead imperial Gothic
- Nostalgia or obsessive perversion?
- Neo-Gothic geographies
- Part I: Art, performance, and film
- Chapter 1: The ghosts of the Soviet past in Natalka Vorozhbyt's Take the Rubbish Out, Sasha
- A Gogolian ghost
- Comic Gothic as a mask and a shield
- The Soviet gender order: feminine home vs. masculine war
- Traumatic comic Gothic
- Coda: Take the Rubbish Out, Sasha after February 24, 2022
- Chapter 2: Refusing to die: neo-Gothic political fiction and post-Yugoslav cultural production
- Why Aren't You Here? Where is here?
- The Gothic imaginary and historical vampirism
- Der Spuk of Balkan
- Neo-Gothic political fiction
- Chapter 3: Post-Soviet apocalypse in Gothic fiction and Gothic politics
- The Gothic Apocalypse, the death turn and neomedievalism
- The Blackout: the Kremlin Gothic Apocalypse
- The Orthodox apocalypse and doomsday politics
- Part II: Gender, identity, and sexuality
- Chapter 4: Haunted in desolation: queering the post-Soviet Latvian Gothic
- Liepa's transgressive and abject bodies
- Sakss's narcissistic and monstrous bodies
- Conclusion
- Chapter 5: Sophia Andrukhovych's Felix Austria: the postcolonial neo-Gothic and Ukraine's search for itself
- Chapter 6: Feminism as a Gothic "thoughtcrime": contextualizing Alma by Izabela Filipiak.
- Izabela Filipiak and the Polish literary canon
- Alma and the Gothic tradition
- Gothic thoughtcrime from the times of communism
- A female monster and her antecedents
- Infinite texts, mutable bodies
- Confronting the biblical legacy under patriarchy
- Intertextual metamorphoses
- Refiguring mother and daughter
- Anti/Madonna
- In dialogue with Hesse
- Part III: Spectral geographies, borderland, diaspora
- Chapter 7: The Eastern European monster reclaimed: finding a voice in a postsocialist, postcolonial world
- The background
- The neo-Gothic vampire
- The Eastern European intellectual
- The postcolonial, postsocialist zombie
- The intellectual vampire, the anti-intellectual zombie
- Chapter 8: Andriy Lyubka's Carbide: Ukrainian democratic reforms through a dark glass
- Carbide's Gotho-carnivalesque aesthetics
- Two layers of abjection in Carbide
- Ukraine's colonial past as an obstacle to reforms in Carbide
- The legacy of the Enlightenment in Carbide
- Chapter 9: The madwoman on the farm: witches in Ukrainian Canadian literature
- Part IV: (Post)communism, totalitarianism, historical trauma
- Chapter 10: Spectrality, necropolitics, and Gothic topography of the city in Nikolai Grozni's Wunderkind
- Spectral topography of the city: spaces of indoctrination and confinement
- School II: "a ghost is haunting Europe, the ghost of communism"
- School III: "during the reign of the red midgets"
- Mental hospital: "You are looking at my corpse"
- Forced labor camp: "the secret world of ghosts"
- Guardians of empire: "imprisoned in counterfeit reality"
- In conclusion: "I picked up a few tomes of Scientific Communism parts I and II lying on the ground and threw them into the flames"
- Notes.
- Chapter 11: Institutional Gothic in the novels of Vladimir Sharov and Evgenii Vodolazkin
- Gothic predecessors: British fictional edifices
- Vladimir Sharov: the Gothic asylum
- Evgenii Vodolazkin: the Gothic clinic
- Other Gothic tropes
- Chapter 12: The tomb of the reluctant tyrant: uncanny imaginings of totalitarianism in Ismail Kadare's The Pyramid
- Exploring the method
- The pyramid, the pharaoh, and the people: uncanny beginnings, or is there a secret in this pyramid?
- The pyramid and the pharaoh: dust of sad (and mad) kings
- The pyramid tradition: continuators and avatars
- A conclusion of a transparent kind
- Editors' postscript: Cradle
- Bibliography
- Index.
- Notes:
- Description based on publisher supplied metadata and other sources.
- Part of the metadata in this record was created by AI, based on the text of the resource.
- ISBN:
- 1-5261-9101-6
- 1-5261-9102-4
- OCLC:
- 1592691390
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