Routledge Handbook on the Sociology and History of Cinema and Television in Latin America / Paula Halperin.

Format:

Book

Contributor:

Halperin, Paula, editor.

Language:

English

Physical Description:

1 online resource (432 pages) : illustrations

Edition:

First edition.

Place of Publication:

Oxford : Routledge.

Summary:

The Routledge Handbook on the Sociology and History of Cinema and Television in Latin America explores the historical and sociological dimensions of Latin American cinema and television from the 1960s and 1970s onward, decentering the New Latin American Cinema (NLAC) without diminishing its significance. The political and experimental energy that animated it has not vanished; instead, it reemerges across diverse objects, periods, and media forms, sometimes directly, sometimes obliquely. In this sense, the political is located not only in audiovisual texts but also in the interpretive frameworks scholars in the region bring to their analysis, revealing the enduring impact of that radical movement throughout the following decades.By foregrounding scholarship produced in Latin America, the volume maps both convergences and divergences within the broad field of film and audiovisual studies. It brings together multiple scales of analysis (national, regional, transnational), alongside varied epistemological approaches (canonical inquiry, archival reconstruction, feminist praxis), as well as a wide range of archives spanning film, television, digital, and private collections. In doing so, the volume situates Latin American audiovisual media within longer transnational traditions and intellectual histories.Adopting a sociological and historical approach to media and film studies, this handbook offers a critical framework for understanding Latin America's political, social, and cultural dynamics since the 1960s. It features key scholars based in the region in the social sciences, humanities, and the arts, presenting a field in motion that revisits its disciplinary foundations while engaging new archival practices and challenging enduring political and social exclusions.

Contents:

Editor's Introduction; Part I. Constructing the Latin American Audiovisual as an Object of Inquiry; Part I Introduction, Paula Halperin; 1. Historical Research on Brazilian Cinema: A Case Study and Contemporary Perspectives, Eduardo Victorio Morettin; 2. Georges Sadoul and the Historiography of Argentine Cinema (1952-1974), Rafael Morato Zanatto; 3. Television News Archives: Towards a Method for Historical Research, Fernando Seliprandy; 4. ¡Ya fue! Overcoming Androcentric Approaches to Latin American Cinema History, Isabel Seguí and Lorena Best Urday; Part II. Transitions: From the Long 1960s to Re-Democratization; Part II Introduction, Paula Halperin; 5. Revolution and Unionism in Argentine Cinema. 1968-1976, Javier Campo; 6. New History and New Cinema. Political Debate and Rewriting of the Past in Mexican Cinema in the 1970s, Israel Rodriguez; 7. Thinking About the Past, Planning the Future: Brazilian Cinema's Journey Toward a New Democracy, Reinaldo Cardenuto; 8. Foreign Television and the Chilean Dictatorship: Between Institutionality and Clandestinity, Carolina Amaral de Aguiar; 9. Cuba in the 1980s: Through the Lens of Noticiero ICAIC Latinoamericano, Mariana Villaça; 10. The Experience of the Documentary Filmmaker Carlos Echeverría in the Argentine Television Program Edición Plus, Paola Margulis; 11. Joaquim Pedro de Andrade's Cinematic Writing of History, Luiz Ancona; 12. Uruguayan Fiction Film on Local Television in the late 1980s. Prospects and Challenges for National Audiovisual Production, Mariel Balás; Part III. Circulation; Part III Introduction, Paula Halperin; 13. The Cinematheque of the Museum of Modern Art of Rio De Janeiro as a Cultural Insurgent. 1958 - 1988, Fabián Núñez; 14. A Key Figure: Walter Achugar and the New Latin American Cinema, Cecilia Lacruz and Mariano Mestman; 15. Prohibitions and Omissions. The Elusive Presence of Latin American Cinema in the Chile of Pinochet, Jorge Iturriaga; 16. Moments of Uncertainty: Cinemateca Uruguaya, the Democratic Transition, and the Latin American Turn,Mariana Amieva; Part IV. National/Regional/Transnational; Part IV Introduction, Paula Halperin; 17. Landscapes of the Amazon and the Encounter with the Foreigner in Cinematic Narratives from the 1960s to the 1990s, Alexandre Busko Valim and Naiara Leonardo Araújo; 18. Breaking the Concentration in Buenos Aires: 21st-Century Audiovisual Practices in Argentina's Provinces, Clara Kriger; 19. Notes on Contemporary Central American Cinema (2000-2025), Maria Lourdes Cortés; Part V. Identities and Differences: Absent Images; Part V Introduction, Paula Halperin; 20. Recovering Filmmaker José Rodrigues Cajado Filho's Trajectory in Brazilian Black Cinema, Noel dos Santos Carvalho; 21. Beyond the Map: Shadows of Dictatorship in Paraguayan Cinema and the Healing Poetics of Guapo'y, Andréa C. Scansani; 22. Jorge Sanjinés and the Ukamau Group Against Q'ara History, Yanet Aguilera Viruéz Franklin de Matos; 23. Phantasmagoric Images of the Colonial Past in the Film Açúcar by Renata Pinheiro and Sérgio Oliveira, Alberto da Silva;Part VI. Collective Memory and the Writing of Historical Narratives on TV and Cinema; Part VI Introduction, Paula Halperin; 24. The "Civil-Military" Question in Documentary Representations of the Memory of the Chilean Dictatorship, Ignacio del Valle-Dávila; 25. History And Cultural Memory Under Debate: Television Representations of the Conquest of Mexico, Álvaro Vázquez Mantecón; 26. National Identities in Historical Television Fiction: The Case of Gritos de Muerte y Libertad (2010), Adrien Charlois Allende; 27. The Audiovisual Expression of Brazil's New Right: Tracing a Conservative Wave,Marcos Napolitano; 28. Materialist Horror and Woman-Centered Narratives in Latin American Cinema: Medusa (2023) and The Bone Woman (2022), Jack Draper; 29. Manufacturing Violence in Colombian Cinema: Critical Constructions of Memory in Bad at Painting Figures, Juan Carlos Arias; 30. Narcos: Mexico. Narrative and Cultural Memory,Janny Amaya Trujillo and Adrien Charlois Allende; 31. Between Love and Exile: Salvador Allende (Patricio Guzmán, 2004), María Aimaretti; Part VII. Cinema, Expanded Television, and Digital Communities: Dialogues and Circulation; Part VII Introduction, Paula Halperin; 32. Models and General Principles of Alternative Television in Argentina and Chile, Natalia Vinelli; 33. Religion Making Media Culture: The Confluence of television, the internet, and religion in contemporary Brazil, Cacilda Rêgo; 34. The Practice of Audiovisual Democracy in the Wambra Digital Community Media Outlet (Ecuador), Miguel Alfonso Bouhaben; 35. The digitization of Television Images in the Twenty-First Century: Principles of a Technological History of TV Globo's Telenovelas (Brazil), Marina Tedesco Cavalcanti; 36. Streaming the Nation: Telenovelas and the Reimagining of Brazil on Digital Platforms, Rachel Fabian and Paula Halperin.

Notes:

"Taylor & Francis".

OCLC-licensed vendor bibliographic record.

Description based on publisher supplied metadata and other sources.

ISBN:

9781003431282

OCLC:

1592929690