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Global Art, the Cold War.

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Format:
Book
Author/Creator:
Curley, John J.
Series:
Global Perspectives Art History Series
Language:
English
Physical Description:
1 online resource (289 pages)
Edition:
1st ed.
Place of Publication:
London : Laurence King Publishing, 2019.
Summary:
Throughout these tumultuous decades, artists have sought to express themselves in harrowing circumstances. John J. Curley provides a lucid summary of the era and unique insights into famous and unknown artists." NY Journal of Books "In shifting our understanding of Cold War art away from easy binaries (communism versus capitalism; American Abstraction versus Socialist Realism) and towards nuance and complexity, Global Art and the Cold War offers an important and timely examination of how art helped shape history in the mid-to-late twentieth-century." Lydia Pyne for Hyperallergic "With this book, John J. Curley confirms his reputation as the pre-eminent historian of the visual arts during the Cold War. Clearly written, generously illustrated, and imaginatively conceived, Global Art and the Cold War extends traditional boundaries of that subject into the also dangerous realms of imagination, representation, and creative survival. Not to be missed." Pulitzer-Prize winning Cold War Historian John Lewis Gaddis, Yale University "It is not often that one comes across a book on contemporary, or near contemporary, art that shifts one's view of what it is, how it has developed, and that direction those developments are likely to take in future. Here, however, is one such book..." Edward Lucie-Smith, in Artlyst, the UK's leading art information website "This ambitious study examines how the geopolitical realities of the Cold War shaped late-20th-century art... Cold War researchers have not entirely ignored the arts, but now Curley (Wake Forest Univ.)...brings the analytical and interpretative skills of an art historian to the discussion. ...The book abounds with provocative insights... CHOICE Reviews " Global Art and the Cold War is a vigilant re-contextualization of Cold War art...This ambitious work succeeds as a narrative re-evaluation of Cold War art...is refreshingly un-alarmist yet consistently surprising. It is a recommended resource for librarians whose patrons study twentieth-century global art and politics, especially as a research aid for academic libraries." Art Libraries Society of North America (ARLIS/NA)
Contents:
Cover
Contents
Introduction: The Cold War as a Way of Seeing
Against Modernism and the Cold War
Chapter 1: Marking Territory: American Abstraction, Soviet Figuration, and the Early Cold War
The Socialist Roots of American Abstraction
The Modernist Origins of Socialist Realism
Universalizing Aesthetics
Sly Subversion
Exporting Styles
Chapter 2: Art, Technology, and the Cold War
Transforming the Invisible-"Nuclear Painting"
The Cybernetic Imagination
Cold War Constructions
Art as Irrational Technology
Chapter 3: The Cold War and Global Pop Art
The Cold War Family of Photography
Aesthetics of Indifference
Capitalist and Communist Pop
Gerhard Richter and Christo-between East and West
Collaging the Military-Industrial Complex
Coca-Cola and Global Pop
Chapter 4: 1968-Art and Politicson the Barricades
Steel, Lettuce, and Dead Hares: The Politics of Materials
China's Cultural Revolution
France and Czechoslovakia: Art and Protest
Television: The Electronic Street
Banding Together, Attacking Museums
The Cold War, 1968, and Deconstruction
Chapter 5: Art and Détente
Nothing to Say: Conceptual Art
Bodies and Surveillance
Détente and Artistic Exchange
Limits of Détente
The End of Détente
Chapter 6: A Return and then the End
Neo-Expressionism: Common Ground in the 1980s?
Other Alternatives to Socialist Realism
Strategies of Appropriating the Cold War
Total Environments: Installation Art and the Cold War
Art as Activism in the 1980s
The End of the Cold War
Conclusion: Art and the Legacy of the Cold War
Artistic Dilemmas after the Cold War
Globalization and the End of the Cold War
Bibliography
Picture Credits
Index.
Notes:
Description based on publisher supplied metadata and other sources.

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