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German expressionism in the audiovisual culture : myths, fantasy, horror, and science fiction = Der deutscheExpressionismus in den audiovisuellen Medien:Mythen, Fantasie, Horror und Sciencefiction / edited by Paloma Ortiz-de-Urbina.
- Format:
- Book
- Series:
- Popular Fiction Studies
- Popular Fiction Studies ; v.7
- Language:
- English
- Subjects (All):
- Literature.
- Physical Description:
- 1 online resource (285 pages)
- Edition:
- 1st ed.
- Other Title:
- Der deutsche Expressionismus in den audiovisuellen Medien:Mythen, Fantasie, Horror und Sciencefiction
- Place of Publication:
- Tubingen, Germany : Narr Francke Attempto, [2022]
- Contents:
- Cover
- Titelseite
- Impressum
- Contents
- Acknowledgements
- Introduction
- 1 Expressionism, Cinema, and Literature
- The debate over cinema in expressionist literature
- The origins
- The debate
- What was the path of acceptance like?
- What repercussions did the cinema have on literature?
- Das Kinobuch (1913)
- Der selige Kintopp (1913/1914)
- By way of conclusion
- Utopie und Dystopie in Die andere Seite (1909) von Alfred Kubin und Midsommar (2019) von Ari Aster
- Geschwindigkeit und die Utopie der modernen Stadt
- Utopischer/dystopischer Raum
- Alfred Döblin's Berlin Alexanderplatz in Francoist Spain
- Theoretical Framework
- Censorship in Francoist Spain
- The Censors' Reception of Berlin Alexanderplatz
- Film Adaptation of Berlin Alexanderplatz
- 2 Expressionism, Cinema, and Music
- Begleitungsmusik zu einer Lichtspielscene op. 34 by Arnold Schönberg
- Begleitungsmusik as an experiment
- Towards an analysis of Begleitungsmusik zu einer Lichtspielscene op. 34
- The "expressionist impact" of Die Teufel von Loudun (Krzysztof Penderecki, 1969) in the film-opera for TV, by Joachim Hess and Rolf Liebermann
- Die Teufel von Loudun (1969), the television and expressionism in the German context
- Penderecki's atmospheric expressionism of contrasts and textures, in Hess's film-opera
- Conclusion
- 3 Expressionism in Audiovisual Media
- Homage to German Expressionist Cinema: von Sternberg's Proposal
- The commission and the initial approach
- The Expressionist Legacy in the Precursor Idea
- The Expressionist Legacy in the Controlling Idea: The Blue of the Angel
- The iconographic code at the service of the expressionist legacy: iconographic intertextuality
- The long shadow of German Expressionism in Die Mörder sind unter uns.
- Introduction
- Other influences, other genres
- The expressionist shadow in Die Mörder sind unter uns
- Rupture between German Expressionism and Die Mörder sind unter uns
- The questionable continuity between the shadows in Fritz Lang's M and Staudte's Die Mörder sind unter uns
- Conclusions
- Simulation, Überwachung und fremdbestimmte Identität
- Die Großstadt und die Kultur der Indifferenz
- Dark City und die dystopische Stadt
- Raum, Erinnerung, Identität
- Atrophie des Individuums
- Die Simulation von Realität
- Fazit
- Moderne Abgründe
- Von Caligari zu Mr. Robot
- Einführung
- Caligaris Erbe
- Mr. Robot und seine Wurzeln bei Caligari
- Rahmenerzählung und Paranoia
- Gegensätzliche Räume
- Verwirrung zwischen Delirium und Wirklichkeit
- Verkettung von Enthüllungen
- Vermeidung der Mehrdeutigkeit am Schluss
- Schlussfolgerungen
- 4 Expressionist Myths in the Audiovisual Culture
- 4.1 The Myth of the Vampire. The legacy of Murnau's Nosferatu
- Nosferatu als ästhetisches und kosmogenetisches Muster für Vampir-Serien in Streaming-Diensten
- Einleitung
- Literarische Vampire erobern die filmische Landschaft
- Vampir-Serien in Streaming-Diensten
- Vampires, Oral Fixations and their Connection with Sexuality in Two Films: Nosferatu: a Symphony of Horror by Friedrich Wilhem Murnau (1922) and Bram Stoker's Dracula by Francis Ford Coppola (1992)
- The Five Primitive Objects of Jouissance and the Particularity of Oral Jouissance according to Lacan
- Murnau's Vampire: Between Desire and Anguish at the Oral Level
- Murnau, the Essence of Expressionism
- Jouissance and the Object in Coppola's Version of the Vampire
- The femme fatale in Victorianism and the fin-de-siècle
- The female vampire: the rise of a myth.
- The creation of the visual archetype of the vampire
- 4.2 The Myth of the Golem and the Artificial Intelligence
- Der künstliche Mensch im Expressionismus
- Der Golem
- Maschinen-Maria
- Conflicting Narratives
- The Golem as a Signifier of Jewish Otherness
- The Golem as a Signifier of Renewal
- 4.3 The Myth of Faust
- Faust in Murnau and Sokurov
- Parallel differences between Murnau and Sokurov
- The sense of the myth
- Cinema, religious experience and evil
- 5 The Expressionist Aesthetic outside Europe
- Expressionistic Trends in Persepolis: The Role of Fantasy in Narratives of Memory
- Persepolis: turning vignettes into animation
- Persepolis: heir to Expressionist fantasies
- War: Fear of losing her world
- Totalitarianism: the anxiety of the individual repressed by the collective
- Displacement: chaos and uncertainty in the in-between
- The Failure of the Diffusion of German Expressionist Cinema in Japanese Cinema by Benshi through The Cabinet of Dr. Caligari
- The Cabinet of Dr. Caligari
- The world of Japanese cinema around 1921
- Jinmenso (Tanizaki Junichirō, 1918)
- Kurutta ippe-ji (Kinugasa Tēnosuke, 1926)
- Chi to rei (Mizoguchi Kenji, 1923)
- Contributors
- Bibliography.
- Notes:
- Includes bibliographical references (pages [265]-282).
- Description based on publisher supplied metadata and other sources.
- Description based on print version record.
- Other Format:
- Print version: Ortiz-de-Urbina, Paloma German Expressionism in the Audiovisual Culture / Der deutsche Expressionismus in den Audiovisuellen Medien
- ISBN:
- 9783823395454
- OCLC:
- 1356002091
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