Iranian culture in Bahram Beyzaie's cinema and theatre : paradigms of being and belonging (1959-1979) / Saeed Talajooy.

Format:

Book

Author/Creator:

Talajooy, Saeed, author.

Series:

Bloomsbury collections

Language:

English

Subjects (All):

Motion pictures--Censorship--Iran.

Motion pictures.

Persian drama--20th century.

Persian drama.

Iran.

Physical Description:

1 online resource (289 pages)

Edition:

1st ed.

Distribution:

London : Bloomsbury Publishing, 2023.

Place of Publication:

London : I.B. Tauris, 2023.

System Details:

text file HTML

Summary:

Since the beginning of his artistic career in 1959, Bahram Beyzaie's oeuvre has incorporated various aspects of Iranian, Euro-American, Chinese, Japanese, and Indian performance traditions and cinema. Beyzaie's work reformulates indigenous artistic and ritual forms and cultural narratives in plays and films whose emancipatory aesthetics have influenced several generations of writers, playwrights, and filmmakers. This book examines the origins and development of what the author identifies as Beyzaie's unique sense of creativity, using an interdisciplinary method of semiotic and cultural analysis to identify its manifestations in Beyzaie's films and plays of the 1960s and 1970s. It focusses on Beyzaie's early works, such as Downpour and Uncle Moustache, and how they engage with neglected aspects of Iranian culture to challenge mainstream approaches to writing and directing plays and films. In this way, the author argues, Beyzaie's work questions notions of being and belonging, by subverting exclusionist discourses on art, politics, society, culture, self and other, personal and collective identity, gender relations, intellectuals, heroes and villains, and children.

Contents:

Intro

Half Title

Title Page

Copyright Page

Contents

Illustrations

Acknowledgements

Chapter 1: Bahram Beyzaie's contour in time: Analysing the travels and travails of an artist to extract a theory of creativity

Chapter 2: The Puppet Trilogy (1962-3): Deconstruction of the hero/villain binary

Chapter 3: Uncle Moustache (1970): Carnivalesque deconstruction of hegemonic masculinity

Chapter 4: Downpour (1971-2): The reformist intellectual and the meta-cinematic subversion of hegemonic masculinity

Chapter 5: The Journey (1972): A Sisyphean quest for belonging in a world of toxic masculinity, violence and blind obedience

Chapter 6: Stranger and the Fog (1974): Rituals of existence: Homecoming, becoming and departing

Chapter 7: The Crow (1977): City, home and the pitfalls of Iranian modernity

Chapter 8: Conclusion: In dialogue with time

Notes

Bibliography

Index.

Notes:

Includes bibliographical references and index.

ISBN:

9780755648696

0755648692

9780755648672

0755648676

OCLC:

1369664426