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Theater of war / edited by Meredith Davenport, Daniel A. Kelin, and Alfredo Cramerotti.

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Format:
Book
Contributor:
Davenport, Meredith, editor.
Kelin, Daniel A., editor.
Cramerotti, Alfredo, editor.
Series:
Critical photography.
Critical photography
Language:
English
Subjects (All):
National characteristics, American.
Physical Description:
1 online resource (142 pages) : illustrations.
Edition:
First edition.
Place of Publication:
Chicago, IL : Intellect Ltd., [2014]
Summary:
For five years, Meredith Davenport photographed and interviewed men who play live-action games based on contemporary conflicts, such as a recreation of the hunt for Osama Bin Laden that took place thousands of miles from the conflict zone on a campground in Northern Virginia. Her images speak about the way that trauma and conflict penetrate a culture sheltered from the horrors of war. Bringing together a series of two dozen photographs with essays discussing and analyzing the influence of the media, particularly photographs and video, on the culture at large and how conflict is "discussed" in the visual realm, 'Theater of war' is a unique look at the influence of contemporary conflicts, and their omnipresence in the media, on popular culture. Written by an experienced photojournalist who has covered a variety of human rights issues worldwide, this book is an essential addition to the library of anyone interested in the confluence of war and media.
Contents:
Cover
Half Title
Title
Copyright
Dedication
Table of Contents
Acknowledgements
Foreword
Prologue: The Teaching Artist Manifesto
Introduction
Part 1: A Teaching Artist Reflects
Chapter 1: The Teaching Artist
Chapter 2: Reflective Practice
Part 2: Collected Wisdom
Chapter 3: Intentionality
Learning to listen: Lessons for Teaching Artists from a Minneapolis mosque
Stories of my life: A Teaching Artist reflects on cultural consciousness
Devised performance in a gender-specific juvenile probation program
Audition notice(d): Taking steps to align mission and admission
Remaking how a site is perceived and experienced: The ghosts of Waller Creek Project
Chapter 4: Quality
What does quality theatre for young audiences look like?
Suit My Heart: Staging foster youth narratives that hit home
How do we find relevance?
On both shores: Teaching across personal/political distance
Balancing artistic and language-learning goals in Lincoln Center Theater's Learning English and Drama Project
Chapter 5: Artistic Perspective
Developing 'dramatic metaphor' to teach concepts of science
The art of relationship: Intergenerational theatre
Bridging the divide with Shakespeare: Theatre as moral education in Bosnia and Herzegovina
Dramaturgy by students
What's Happened to Queen Fancy Fish? Deconstructing an applied theatre lesson for the early childhood classroom
Chapter 6: Assessment
Capturing the story: A Teaching Artist's attempt to assess a documentary theatre project in rural Alaska
The applications of theatre as pedagogical and research methodologies: Scenes and waves of investigative dialogues across the Nordsjøen (North Sea)
Engaging the outliers: One theatre educator's journey to reach her most challenging students through choice, rigor and empowerment.
Reflection as a bridge between program evaluation and instruction
Naming our learning along the way through arts-based assessment
Chapter 7: Praxis
The vagabond's dilemma: Representing host culture as a guest
Activating community: Process-centered philosophy in a product-oriented world
Playing at praxis: Locating youth voices in history
Enacting liderazgo: Where drama praxis and Latino leadership intersect
Essentializing residencies: Collecting trophies of the oppressed
Part 3: The Reflexive Practitioner
Chapter 8: Participatory Action Research
Final Reflections
References
Biographies
Index
Back Cover.
Notes:
Description based on publisher supplied metadata and other sources.
Description based on print version record.
Includes bibliographical references and index.
ISBN:
1-78320-415-X
OCLC:
1492987468

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