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Theater of war / edited by Meredith Davenport, Daniel A. Kelin, and Alfredo Cramerotti.
- Format:
- Book
- Series:
- Critical photography.
- Critical photography
- Language:
- English
- Subjects (All):
- National characteristics, American.
- Physical Description:
- 1 online resource (142 pages) : illustrations.
- Edition:
- First edition.
- Place of Publication:
- Chicago, IL : Intellect Ltd., [2014]
- Summary:
- For five years, Meredith Davenport photographed and interviewed men who play live-action games based on contemporary conflicts, such as a recreation of the hunt for Osama Bin Laden that took place thousands of miles from the conflict zone on a campground in Northern Virginia. Her images speak about the way that trauma and conflict penetrate a culture sheltered from the horrors of war. Bringing together a series of two dozen photographs with essays discussing and analyzing the influence of the media, particularly photographs and video, on the culture at large and how conflict is "discussed" in the visual realm, 'Theater of war' is a unique look at the influence of contemporary conflicts, and their omnipresence in the media, on popular culture. Written by an experienced photojournalist who has covered a variety of human rights issues worldwide, this book is an essential addition to the library of anyone interested in the confluence of war and media.
- Contents:
- Cover
- Half Title
- Title
- Copyright
- Dedication
- Table of Contents
- Acknowledgements
- Foreword
- Prologue: The Teaching Artist Manifesto
- Introduction
- Part 1: A Teaching Artist Reflects
- Chapter 1: The Teaching Artist
- Chapter 2: Reflective Practice
- Part 2: Collected Wisdom
- Chapter 3: Intentionality
- Learning to listen: Lessons for Teaching Artists from a Minneapolis mosque
- Stories of my life: A Teaching Artist reflects on cultural consciousness
- Devised performance in a gender-specific juvenile probation program
- Audition notice(d): Taking steps to align mission and admission
- Remaking how a site is perceived and experienced: The ghosts of Waller Creek Project
- Chapter 4: Quality
- What does quality theatre for young audiences look like?
- Suit My Heart: Staging foster youth narratives that hit home
- How do we find relevance?
- On both shores: Teaching across personal/political distance
- Balancing artistic and language-learning goals in Lincoln Center Theater's Learning English and Drama Project
- Chapter 5: Artistic Perspective
- Developing 'dramatic metaphor' to teach concepts of science
- The art of relationship: Intergenerational theatre
- Bridging the divide with Shakespeare: Theatre as moral education in Bosnia and Herzegovina
- Dramaturgy by students
- What's Happened to Queen Fancy Fish? Deconstructing an applied theatre lesson for the early childhood classroom
- Chapter 6: Assessment
- Capturing the story: A Teaching Artist's attempt to assess a documentary theatre project in rural Alaska
- The applications of theatre as pedagogical and research methodologies: Scenes and waves of investigative dialogues across the Nordsjøen (North Sea)
- Engaging the outliers: One theatre educator's journey to reach her most challenging students through choice, rigor and empowerment.
- Reflection as a bridge between program evaluation and instruction
- Naming our learning along the way through arts-based assessment
- Chapter 7: Praxis
- The vagabond's dilemma: Representing host culture as a guest
- Activating community: Process-centered philosophy in a product-oriented world
- Playing at praxis: Locating youth voices in history
- Enacting liderazgo: Where drama praxis and Latino leadership intersect
- Essentializing residencies: Collecting trophies of the oppressed
- Part 3: The Reflexive Practitioner
- Chapter 8: Participatory Action Research
- Final Reflections
- References
- Biographies
- Index
- Back Cover.
- Notes:
- Description based on publisher supplied metadata and other sources.
- Description based on print version record.
- Includes bibliographical references and index.
- ISBN:
- 1-78320-415-X
- OCLC:
- 1492987468
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