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Living metal : metal scenes around the world / edited by Bryan Bardine and Jerome Stueart.
- Format:
- Book
- Series:
- ISSN
- Language:
- English
- Subjects (All):
- Heavy metal (Music)--History and criticism.
- Heavy metal (Music).
- Physical Description:
- 1 online resource (310 pages)
- Edition:
- 1st ed.
- Place of Publication:
- Bristol, England : Intellect Ltd, [2022]
- Summary:
- This collection of thirteen essays is an exploration of metal scenes throughout the world, from Dayton to Hull, from Copenhagen to Osaka. Unique portrayal of how these scenes developed, are experienced by fans, and are influenced by the contexts in which they are embedded. Foreword by Henkka Seppälä. 41 images.
- Contents:
- Front Cover
- Half Title
- Living Metal: Metal Scenes around the World
- Copyright Page
- Table of contents
- List of Figures
- Acknowledgments
- Foreword
- Introduction
- References
- 1 From the Ashes of the Fallen Empire:: Heavy Metal and Community in Postapartheid South Africa
- Black, white, and red all over
- Gauteng's metal scene today
- Methodology
- Age, scene participation, and the communal experience
- Race and gender
- Metal and masculinity
- Conclusion
- Notes
- 2 Polar Fate: Mapping Metal at the Southern Edge of the World
- Northernness meets metalness
- Looking to the Southern edge of the world
- Slaughterhouse gothic: Metal in Southland
- Protestant gothic: Metal in Otago
- The dark pastoral: Metal in Tasmania
- 3 The Enemy Within: Conceptualizing Turkish Metalheads as the Ideological "Other"
- First encounters with the unknown
- Satanic scare
- "The final resistance?"
- Internal otherization
- Blasphemy and transgressive subcultural capital
- Concluding remarks
- 4 "Métal noir épique patriotique": Analysis of Historical, Sociological, and Cultural Discourses Uniting métal noir québécois and Québec Society
- Defining the concept of nationalism in the sociohistorical context of the province
- The first period of the scene: The rise and development of black metal in the Province of Québec (1993-2000)
- The musical and thematic characteristics of the groups
- The independence question in the Québec society in the 1990s
- The second period of the scene: The growth of the scene and the formation of the MNQ (2001-09)
- The rise of MNQ community: Nationalism expressed through a narrative identity
- The revival of the independentist question in Québec society (2001-09).
- The third period of the scene: Between the stagnation and the professionalization of the black metal scene (2010-17)
- The decline of the sovereigntist question in Québec society (2010-17)
- The distinctions and similarities characterizing the narrative identity of the MNQ and of Québec society
- 5 Living Sonic Knowledge in South-Eastern Austria: The Sound History of the Metal Scene in Graz and Styria, c.1980 to the Present
- The theoretical lens: The sound history and the sonic knowledge of local metal scenes
- The sound history of the Styrian metal scene since the early 1980s: A chronological overview
- "How exactly does this sound history work?": The Metal on the Hill festival in Graz as a recent example of the Styrian scene's sonic knowledge
- 6 Heavy Metal Scene in Osaka: Localness Now and Then
- Statistics and current musical situation
- Japa-meta movement from/in Osaka and live-houses in the 1980s
- Osaka/Tokyo narrative in Japanese heavy metal scene
- Global connection
- The transitional period: 1990s
- Music schools/lessons in Osaka
- Japanese scene after 2000
- Current problem
- Heavy metal record shops in Osaka
- True Thrash Fest since 2009 and Asian connections
- Acknowledgement
- 7 Heart of Sadness: Fieldwork in the Copenhagen Black Metal Undergrounds
- The ethnomusicologist and the mediation of black metal
- The atmospheric black metal underground
- Welfare system support
- Oceanic black metal
- Underground on Facebook
- Stadium black
- The Korpsånd scene at Mayhem
- The Vort Fatum Festival
- Heart of sadness
- 8 "Dit Is Berlin":1 Local Metal Scene Building and Transformation in Berlin, Germany.
- Scene as socio-geographical concept
- Berlin: The 1980s
- Left of the wall
- 1989-90: Reunification and hybridization of once separated local scenes
- Berlin: The 2010s
- Development and (self-)perception as local scenes during the 1980s and the 2010s
- (Self-)Perception of the metal scene in East Berlin during the 1980s
- Diversification and fragmentation
- professionalization and DIY: Underground in the 2010s
- Political differentiation
- 9 Perspectives Old and New: Cross-Generational Community in the Dayton Metal Scene
- Background and methods
- Literature review
- Results from surveys and interviews
- Early founders' perspectives on the scene
- Newer members' perspectives on the scene
- Connections/findings
- Note
- 10 La Belle Endormie Awakened by Hellfest Open Air?: A Study of the Nantes Metal Music Scene
- Some background on the city of Nantes
- Heavy metal in France at the turn of the 1980s
- The Nantes scene
- The Plein Watt festival and the rising reputation of Nantes groups
- The local scene
- The end of the first Nantes heavy metal scene
- Bottoming out
- Hellfest as catalyst
- Nantes, the French capital of metal
- Visibility and structuring of the scene
- 11 Heavy Metal in Estonia: Cohesions and Divisions, Past and Present
- The study
- Overview of the current scene
- Scene dispersion
- Metal cohesion
- Active bands and subgenres
- The most influential bands
- Active subgenres in the current scene
- Scene makers, places, and events
- Clubs and festivals
- Key persons
- Local-international division
- Cohesions and divisions in the past
- The first wave: Moshing the winds of change, late 1980s onwards
- The low tide of the mid 1990s.
- The second wave: The scene reestablished and blackened, late 1990s onwards
- The low tide and the modern shift of late 2000s
- The third wave: Modern metal versatilities of 2010s
- Cohesion and divisions of the current scene
- The activity of the scene today?
- Historical divisions?
- Estonian metal identity?
- Epilogue
- 12 From the Sound of the Lathes to the Noise of the Amplifiers: Heavy Metal and the Music Scene of the Greater ABC Region (São Paulo/Brazil, 1980-90)
- The beginning: Forged in dark years
- Amplifier noises as a form of expression
- Heavy metal and the ABC music scene
- Specialized stores: More than a place to buy LPs
- In the air: The weight of ABC heavy metal in radio waves
- From the assembly line to the stages: The heavy metal shows in the ABC region
- The end…or, uh, a fresh start?
- 13 "This Is the City of Hate": Surveying the Hull Metal/Hardcore Scene
- Setting the scene
- Studying the scene
- Locating the scene
- Characterizing the scene
- Reinterpreting the scene
- Conclusions
- Contributors
- Back Cover.
- Notes:
- Description based on print version record.
- Includes bibliographical references.
- ISBN:
- 9781789384017
- 178938401X
- 9781789384024
- 1789384028
- OCLC:
- 1285166998
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