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Lorca's Experimental Theater : Breaking the Guardrails of Convention / Andrew A. Anderson and Anne J. Cruz.

EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Anderson, Andrew A., 1953- author.
Cruz, Anne J., author.
Series:
New Hispanisms: Cultural and Literary Studies
Language:
English
Subjects (All):
Experimental drama, Spanish--History and criticism.
Experimental drama, Spanish.
García Lorca, Federico, 1898-1936--Criticism and interpretation.
García Lorca, Federico.
Physical Description:
1 online resource (319 pages)
Edition:
First edition.
Place of Publication:
Baton Rouge, Louisiana : Louisiana State University Press, [2024]
Summary:
Critical and historical discussions of the life and work of Federico García Lorca, Spain's foremost poet and playwright of the twentieth century, often obscure the author's more avant-garde dramatic works. In Lorca's Experimental Theater, Andrew A. Anderson focuses on four of Lorca's most challenging plays- Amor de don Perlimplín con Belisa en su jardín, El público, Así que pasen cinco años, and El sueño de la vida (previously known as Comedia sin título )-and on the surrounding context in which they came to be written and in only one case performed during his lifetime. While none of Lorca's plays can be considered conventional, these four works stand out in his corpus for challenging theatrical conventions most forcefully, both thematically and technically.With discussions of stagecraft, artistic modernism, and the historical avant-garde, Lorca's Experimental Theater provides detailed interpretive readings of the four plays, surveys their textual and performative history, and examines the most important contemporary influences on Lorca's creation of these expressive, innovative works.
Contents:
Staging the unstageable : efforts to perform the experimental plays, 1929-1936
Undecidability in Amor de don Perlimplín con Belisa en su jardín
García Lorca and the New York Theater, 1929-1930
Three expressionist dramas : El público, Así que pasen cinco años, and El sueño de la vida
Theme and symbol in El público
Juliet and the shifting sands of El público
Destiny and denial in Así que pasen cinco años
Así que pasen cinco años, act 3, scene 1 : a reading
Social concern, metatheater, and the audience's experience in El sueño de la vida.
Notes:
Description based on publisher supplied metadata and other sources.
Description based on print version record.
Includes bibliographical references and index.
ISBN:
9780807183250
0807183253
9780807183243
0807183245
OCLC:
1463769178

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