The market logics of contemporary fiction / Paul Crosthwaite.

Format:

Book

Author/Creator:

Crosthwaite, Paul, 1980- author.

Series:

Cambridge studies in twenty-first-century literature and culture.

Cambridge studies in twenty-first-century literature and culture

Language:

English

Subjects (All):

Fiction--Publishing--History--21st century.

Fiction.

Literature publishing--Economic aspects.

Literature publishing.

Authors and publishers--History--21st century.

Authors and publishers.

Physical Description:

1 online resource (xi, 306 pages) : digital, PDF file(s).

Place of Publication:

Cambridge : Cambridge University Press, 2019.

Summary:

In the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits. This book shows how these pressures have transformed the contemporary novel. Paul Crosthwaite argues that recent British and American authors have internalized the market logics of the financial sector and book trade, resulting in the production of works of 'market metafiction' in which authors reflect obsessively on their writing's positioning in the literary marketplace. The Market Logics of Contemporary Fiction reveals the entanglement of fictional narrative and market dynamics to be the central phenomenon of contemporary literary culture. It engages with work by key authors including Iain Sinclair, Don DeLillo, Kathy Acker, Bret Easton Ellis, Chris Kraus, Percival Everett, David Foster Wallace, Colson Whitehead, Anne Billson, Hari Kunzru, Barbara Browning, Teju Cole, Ben Lerner, Tao Lin, Nell Zink, Joshua Cohen, Sheila Heti, and Garth Risk Hallberg.

Contents:

Part I. The Emergence of Market Metafiction

Market Metafiction and the Varieties of Postmodernism

Part II. The Phantasmagorias of Contemporary Finance

Trading in the As If: Fiduciary Exchangeability and Supernatural Financial Fiction

"The Occult Logic of 'Market Forces'": Iain Sinclair's Post-Big Bang London

Part III. The Market Knows

The Price is Right: Market Epistemology, Narrative Totality, and the "Big Novel"

Fully Reflecting: Knowing the Mind of the Market in DeLillo and Kunzru

Part IV. The Moment of Market Metafiction

Putting Everything on the Table: Markets and Material Conditions in Twenty-First-Century Fiction

Between Autonomy and Heteronomy: Exchanging Capital in Zink, Cohen, and Heti

Coda: Basic Income, or, Why Barbara Browning's The Gift is Not a Gift.

Notes:

Title from publisher's bibliographic system (viewed on 05 Jul 2019).

ISBN:

1-108-60319-X

1-108-60669-5

1-108-58378-4