1 option
Transcultural Histories of Art and Artisanal Epistemologies : Knowledge to Be Made.
- Format:
- Book
- Author/Creator:
- Farago, Claire.
- Series:
- Routledge Advances in Art and Visual Studies
- Language:
- English
- Physical Description:
- 1 online resource (248 pages)
- Edition:
- 1st ed.
- Place of Publication:
- Oxford : Taylor & Francis Group, 2025.
- Summary:
- This edited volume de-familiarizes European conceptions of artistry and thinks its history anew. It represents a rethinking on a global stage of some of the most fundamental assumptions in what were once arguably helpful methodological tools in art history.
- Contents:
- Cover
- Endorsement Page
- Half Title
- Series Page
- Title Page
- Copyright Page
- Dedication
- Table of Contents
- Notes on the Contributors
- Acknowledgments
- Knowledge to Be Made: An Introduction
- The Chapters
- On the Value of Creative Misunderstanding
- Notes
- Chapter 1: Theoretical Introduction: Artisanal Epistemology as a Transcultural Concept
- Statement of Intent
- A Transcultural Approach to Artisanal Epistemology
- Knowledge Systems and Trading Zones
- Transculturation Theory as an Intervention in Racial Thinking
- Migrating Material Technologies and the Decolonization of Knowledge
- Part I: New Epistemologies in Formation
- Chapter 2: The Making and Materiality of Kalaallit assilialiait: Inuit Artisanal Knowledge in the Global Nineteenth Century
- The Contexts of Kalaallit assilialiait
- Composition and Copy
- Carving
- Ink
- Global Legacies
- Chapter 3: Artisanal Waste Construction in Contemporary Art and Architecture of Mexico City: The Conceptual Impact of Abraham Cruzvillegas
- Introduction
- Concept and Contradictions
- Epistemic Potential
- Craftmanship and Creativity
- Environmental Turn
- Conclusions
- Part II: Transcultural Institutions
- Chapter 4: Self-Reflexive Practices in the Arts of Luis García Hevia: From Colonial Workshop to Experiential Processes in Nineteenth-century Colombia
- A Tribute to the Past, Glancing Towards the Future
- Transitional Styles: Reminiscences of a Colonial Past
- Rethinking Painting Practices Through Daguerreotypes
- Linking Colonial Style to Academic Ideals
- Chapter 5: "Para o inglês ver - para o brasileiro acreditar": Transcultural Discourses and Practices in Contemporary Brazilian Arts and Cultures
- Decolonizing Brazilian Art "para inglês ver".
- Decolonizing Brazilian Art "para brasileiro acreditar"
- Entangled Epistemologies
- Final Statement
- Part III: Material Flows/Circulating Objects
- Chapter 6: Artisanal Authority and Indigenous Knowledge in the Book Culture of Sixteenth-century Mexico
- Alejo Venegas and the European book
- Books and Writing in New Spain
- The Florentine Codex
- "The Black Ink, the Red (Multi-colored) Dye, the Books"
- Portraying the Self: Tlahcuilohqueh in the Florentine Codex
- The Question of "Portraiture"
- Amoxtli and Books in the Florentine Codex
- Appendix
- On Indigenous Artisanal Production in Two Franciscan Venues, Mexico City
- Chapter 7: From Stone and Wood: Carving Christian Identity in Early Modern India
- Early Evidence of the Material Culture of Thomas Christianity in India
- The Romanization of Thomas Christianity in the Sixteenth and Seventeenth Centuries
- Chapter 8: Making and Sensing: Ceramics, Metalwork, and Aromatics in Transcultural Exchanges
- Making Artisanal and Sensorial Knowledge
- The Object Speaks: Puebla, c. 1650
- A Short History of the Circulation/Production of Ceramics
- Artisanal Experimentation
- Sensorial Practices: Processes of Transculturation
- Olfactory Practices: From the Silk Roads to the Apothecary to the Palace
- The Object Speaks: Damascus, Fifteenth Century
- Sensorial Practices and Material Culture
- Conclusion
- Part IV: Knowledge-sharing Models
- Chapter 9: Migrating Inventions: Brunelleschi's Dome and the East
- Historiography
- Precedents
- Migrations
- Chapter 10: Material Concerns: Experiential Teaching and Learning with First Nations Artists in Australia
- A Little More About Wukun Wanambi
- Understanding the Whole Structure - Finding a Better Way
- Notes.
- Coda: Collaborations, Transformations, and Continuing Conversations
- Claire Farago (CF), Susan Lowish (SL) and Jens Baumgarten (JB)
- Index.
- Notes:
- Description based on publisher supplied metadata and other sources.
- ISBN:
- 1-04-042601-8
- 1-003-45668-5
- 1-04-042600-X
- 9781003456681
- OCLC:
- 1531322539
- Publisher Number:
- CIPO000261930
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.