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Modernist women and the Greek chorus Laura McClure

Oxford Scholarship Online: Classical Studies Available online

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Format:
Book
Author/Creator:
McClure, Laura, 1959- author.
Series:
Classical presences
Language:
English
Subjects (All):
H. D. (Hilda Doolittle), 1886-1961.
H. D.
Harrison, Jane Ellen, 1850-1928.
Harrison, Jane Ellen.
Woolf, Virginia, 1882-1941.
Woolf, Virginia.
Drama--Chorus (Greek drama).
Drama.
Drama--Chorus (Greek drama)--Influence.
Physical Description:
1 online resource
illustration
Edition:
1st ed.
Place of Publication:
Oxford New York, NY Oxford University Press [2026]
Summary:
The disappearance of the chorus after antiquity, along with its association with female marginality, lyricism, and ritual authority in the Athenian drama that preserved it, rendered it an enigmatic vestige of the Greek past that invited innovative receptions by women from the early twentieth century onward. This book traces a feminine, and feminist, genealogy of the chorus from archaic Greece to the 1930s, focusing on three anglophone women whose work was profoundly shaped by it: the classicist Jane Harrison (1850-1928), the novelist Virginia Woolf (1882-1941), and the poet Hilda Doolittle (1886-1961), known as H.D. All three women were drawn to the chorus as the most elusive and unknowable aspect of Greek drama, envisioning it as fundamentally feminine in origin and identifying with its marginality, lyric power, and ritual authority
Contents:
Cover
Modernist Women and the Greek Chorus
Copyright
Contents
Acknowledgments
List of Illustrations
Introduction
The Chorus in Ancient Greece
Classical Reception and Modern Hellenism
Modernist Women and Hellenism
Outline of Chapters
1: Maidens and Maenads
The Greek Chorus Defined
Alcman, Partheneion Fr. 1
Maenadic Choruses
Male Choral Culture in Classical Athens
Female Chorality in Greek Tragedy
Choral Temporalities and Topographies
Euripides and the Dithyrambic Turn
Choral Migrations
Conclusion
2: Post-Classical Choralities
The Reinvention of Greece
The Rebirth of the Chorus
Nietzsche and the Ritual Chorus of Satyrs
Victorian Hellenism
Antiquities at the British Museum
Decadent Hellenism
"The Feminine of Homer"
Greek Plays at Universities
3: Jane Harrison and the Maenadic Chorus
The Spell of Greek
Studies in Greek Art and Archaeology
A Disciple of Nietzsche
A Minoan Epiphany
A Vase in Verse
Prolegomena to the Study of Greek Religion
Daughters of the Earth
"Possessed, Magical, and Dangerous to Handle"
Themis: The Social Fact of the Mother
The Maenads as Mothers
The Chorus in Ancient Art and Ritual
4: Choral Modalities in Virginia Woolf's Writings
Choral Appropriations
Greek Lessons
The Nymph and the Noun
Reading and Rereading Greek Plays
"On Not Knowing Greek"
Choral Voices in Mrs. Dalloway
The Waves as Choral Novel
A Song in Four Voices: The Years
The Matriarchal Chorus
Reading Antigone
The Strange Beauty of Modernity
5: H.D.'s Choros Sequence: Experiments in Poetic Form
Choros and the Greek Sequence
Ezra Pound: "The Scorpionic Sting"
Reading Greek in the British Museum
Euripides: "The White Rose"
Greek Meters and Free Verse
Experimenting with Choral Cadences
The Third Stasimon of Euripides' Helen
Choruses from the Iphigeneia in Aulis and Hippolytus
Ion : A Play after Euripides
Helen in Egypt : A Choros Sequence
Postscript
Bibliography
Index
Notes:
Includes bibliographical references and index
Description based on online resource; title from digital title page (viewed on May 14, 2026)
Other Format:
Print version :
ISBN:
9780191991868
0191991864
9780198883722
0198883722
OCLC:
1583719955
Publisher Number:
CIPO000373945
Access Restriction:
Restricted for use by site license

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