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Controversial Monuments : Personifying the Continents between the 18th and 21st Centuries / edited by Louise Arizzoli, Marion Romberg, and Maryanne Cline Horowitz.

Early Modern History and Modern History E-Books Online, Collection 2026 Available online

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Format:
Book
Contributor:
Horowitz, Maryanne Cline, editor.
Romberg, Marion, editor.
Arizzoli, Louise, editor.
Series:
Early Modern History and Modern History E-Books online, Collection 2026.
Brill’s Studies on Art, Art History, and Intellectual History ; 84
Early Modern History and Modern History E-Books online, Collection 2026
Language:
English
Subjects (All):
Art--History.
Art.
Physical Description:
1 online resource (335 pages)
Edition:
First edition.
Other Title:
Personifying the Continents between the 18th and 21st Centuries
Place of Publication:
Leiden ; Boston : BRILL, 2026.
Language Note:
English
Summary:
Controversial Monuments: Personifying the Continents from the 18th to the 21st century offers a sweeping exploration of the iconography of the Four Continents, tracing its evolution from origins in Antiquity through early modern religious and imperial frameworks to contemporary artistic reinterpretations. Through richly illustrated case studies spanning pulpits, frescoes, sculptures, maps, and world fair displays, the book reveals how these personifications perpetuated Eurocentric worldviews, racial hierarchies, and colonial ideologies across centuries. Featuring contributions from leading scholars, it unpacks the symbolic power and persistent influence of this imagery while also highlighting how contemporary artists are critically engaging with, subverting, and reshaping these historic visual traditions for the 21st century. Contributors are: Louise Arizzoli, Renée Ater, Maryanne Cline Horowitz, Elisa Antonietta Daniele, Catherine Dossin, Charles Forsdick, Daniel Fulco, Maria P. Gindhart, Paul Kaplan, Hoyon Mephokee, Anne Pingeot, Marion Romberg, Wolfgang Schmale, and Chet Van Duzer.
Contents:
Contents
List of Illustrations
Notes on Contributors
Introduction: Continents and the Visual Language of Empire: Fantasy, Stereotype, and Controversy / Louise Arizzoli
Part 1 The Continents as Markers of Global Church and Empire
1 Jesuit Pulpits in the Lowlands: Preaching across the Globe of Continents / Maryanne Cline Horowitz
2 Africa and Sheaves of Grain: Giambattista Tiepolo’s Allegories of the Continent / Elisa Antonietta Daniele
3Envisioning the World in the Royal Palace of Madrid: Giovanni Battista Tiepolo’s Glory and Power of the Spanish Monarchy under Charles III / Daniel Fulco
Part 2 An Era of Dramatic Change: Personifications of the Continents in the Age of Revolutions
4 An Era of Dramatic Change: Personifications of the Continents in the Eighteenth and Nineteenth Centuries / Chet Van Duzer
5 L’Amérique Libérée and Other French Allegories of the United States / Catherine Dossin
Part 3 Imperialism, Sculpted Continents and Nineteenth Century World Fairs
6 “Exotic but Controversial” Flair along the Viennese Ringstrasse: the Sculptures of the Four Continents at the Naturhistorisches Museum / Marion Romberg
7Scientism and Second-Empire Sculpture: Personifying and Contending with Blackness in Jean-Baptiste Carpeaux’s Fontaine des Quatre-Parties-du-Monde Hoyon Mephokee
8The Six Continents at the 1878 Exposition Universelle: “a History of Taste” / Anne Pingeot
9 Mapping Monumental Sculptured Continents in the Public Space: a Visual Archive / Louise Arizzoli
Part 4 Continents and Race at the 1931 International Colonial Exhibition in Paris
1 La France des Cinq Parties du Monde: Representing Continents and Racial Types at the 1931 Exposition Coloniale Internationale in Paris / Maria P. Gindhart
11 Between Permanency and Ephemerality: the Sculptural and Other Afterlives of the 1931 Exposition Coloniale Internationale / Charles Forsdick
Part 5 Continent Personification in Twentieth Century United States: Race, Racism and Controversy
12Race, Representation, and Empire: the Four Continents for the U.S. Custom House in New York City / Renée Ater
13 From Subject People to Subjugated Continents: Africa and America in Presidential Imagery from Washington to Theodore Roosevelt / Paul H.D. Kaplan
Part 6 Conclusion: Contemporary Artists Revisit the Personifications of Continents
14 Kent Monkman’s Four Continents (212–216)—a 21st-Century Answer to Giambattista Tiepolo’s Four Continents (1752/53) (with an Excursus on Maître Leherb (1981–1992) / Wolfgang Schmale
Index.
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references and index.
Description based on print version record.
Description based on publisher supplied metadata and other sources.
ISBN:
90-04-74855-5
90-04-52784-2
90-04-19103-8
OCLC:
817584020
Publisher Number:
10.1163/9789004527843 DOI

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