My Account Log in

1 option

The attractions of the moving image : essays on history, theory, and the avant-garde / Tom Gunning ; edited and with an introduction by Daniel Morgan.

Van Pelt Library PN1995 .G86 2025
Loading location information...

Available This item is available for access.

Log in to request item
Format:
Book
Author/Creator:
Gunning, Tom, 1949- author.
Contributor:
Morgan, Daniel, 1977- editor, author of introduction.
Language:
English
Subjects (All):
Motion pictures--History.
Motion pictures.
Genre:
History.
Essays.
Physical Description:
xvi, 548 pages : illustrations ; 23 cm
Place of Publication:
Chicago, IL : The University of Chicago Press, 2025.
Summary:
"An essential collection of new and selected essays by influential cinema and media studies scholar Tom Gunning. Tom Gunning is the author of multiple books and nearly two hundred essays that have defined the field of cinema and media studies. His works have transformed our understanding of early cinema and the American avant-garde and reset the terms of many central debates in film and media history and theory. His 1986 essay 'The Cinema of Attractions' is among the most cited essays on film ever published. Gunning's writings articulate a distinctive and powerful model for thinking about cinema's history and likely future, addressing the full range of moving-image media, from film to still photography to digital media. His discussions draw on stage melodrama and magic lantern shows, as well as criminology, world's fairs, and Spiritualism, surveying the medium as a cultural phenomenon informed by the industrial and information ages, psychiatry, urban experience, discourses on art and aesthetics, and more. This collection brings together twenty-six essays that showcase the depth and range of Gunning's scholarship, including four that have never before been published. Together, they solidify Gunning's place as a scholar who has transformed the way generations of scholars, archivists, critics, and artists think about cinema"-- Provided by publisher.
Contents:
Preface. Pulling pieces together / Tom Gunning
Introduction. The energies of cinema : on the methods of Tom Gunning / Daniel Morgan
Part I : History. The cinema of attractions : early film, its spectator, and the avant-garde (1986/1990) ; What I saw from the rear window of the Hôtel des Folies-dramatiques, or the story point-of-view films told (1988) ; An aesthetic of astonishment : early film and the (in)credulous spectator (1989) ; In your face : physiognomy, photography, and the gnostic mission of early film (1997) ; Landscape and the fantasy of moving pictures : early cinema's phantom rides (2010) ; The play between still and moving images : nineteenth-century "philosophical toys" and their discourse (2011)
Part II : Theory. The exterior as intérieur : Benjamin's optical detective (2003) ; Systematizing the electric message : narrative form, gender, and modernity in The Lonedale operator (2004) ; Moving away from the index : cinema and the impression of reality (2007) ; To scan a ghost : the ontology of mediated vision (2007) ; The long and the short of it : centuries of projecting shadows, from natural magic to the avant-garde (2009) ; Chaplin and the body of modernity (2010) ; The language of motion : moving images within the evolution of human technology (2011; unpublished) ; Moving through Friedberg's properly adjusted virtual window (2019)
Part III : Avant-Garde. Dr. Jacobs's dream work : Ken Jacobs's The doctor's dream (1981-1982) ; The critique of seeing with one's own eyes : Ernie Gehr's Untitled (1977) (1982-1983) ; "Films that tell time" : the paradoxes of the cinema of Ken Jacobs (1989) ; Towards a minor cinema : Fonoroff, Herwitz, Ahwesh, Lapore, Klahr, and Solomon (1989-1990) ; Perspective and retrospective : the films of Ernie Gehr (1993) ; Bodies rest and motion : the films of Mark Lapore (2006) ; From fossils of time to a cinematic genesis : Gustav Deutsch's Film ist. (2009) ; Flaming images : burning through the celluloid closet (2009/2020; unpublished) ; Abigail Child : the pulse of the last machine (2011) ; The secret language of the traces of light : David Gatten's Dividing line (2011) ; The grain of the scratch : the precarity of transparency in cinema (2015; unpublished) ; Transport of joy : a meditation on the medium of Stan Brakhage (2013/2021; unpublished).
Notes:
Includes bibliographical references and index.
Other Format:
Online version: Gunning, Tom, 1949- Attractions of the moving image.
ISBN:
9780226479798
022647979X
9780226479828
022647982X
OCLC:
1446125268

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account