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Zulu love letter / JBA Production & Natives at Large present a coproduction Hollybell (South Africa) [and others] ; produced by Jacques Bidou [and others] ; a screenplay by Bhekizizwe Peterson, Ramadan Suleman ; directed by Ramadan Suleman.

Academic Video Online: Premium - United States Available online

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Format:
Video
Contributor:
Suleman, Ramadan, director, producer, screenwriter.
Peterson, Bhekizizwe, producer, screenwriter.
Bidou, Jacques, producer.
Dumoulin, Marianne, producer.
California Newsreel (Firm), distributor.
Series:
Academic Video Online
Language:
English
Subjects (All):
Women journalists--South Africa--Drama.
Women journalists.
Victims of state-sponsored terrorism--Drama.
Victims of state-sponsored terrorism.
Parents of deaf children--Drama.
Parents of deaf children.
Post-traumatic stress disorder--Drama.
Post-traumatic stress disorder.
South Africa.
Genre:
Feature films.
Fiction films.
Physical Description:
1 online resource (100 minutes)
Place of Publication:
San Francisco, CA : California Newsreel, 2004.
Language Note:
In English and Zulu with English subtitles.
System Details:
data file
Summary:
Opening shot: a woman is discovered passed out in her car. Next she is in an ambulance having a flashback to the time of South Africa's State of Emergency 13 years ago, a period of maximum police repression. Third sequence: the woman, now in the hospital, assures her skeptical, deaf daughter that she will be recovered in time for her birthday. Fourth scene, she again slips into a flashback where she, a journalist accompanied by a photographer, documents a young student chased and shot by the police; her last word is Amandla! 'the power is ours!' This pattern of narrative interrupted by flashback continues throughout Zulu Love Letter* until finally the reporter, Thandeka Khumalo, succeeds in bringing these two narratives, the nightmare of the apartheid past and the hope of the new South Africa, together so to create a chance to move on with her life. A Zulu love letter or incuwadi yothando is a beadwork necklace; throughout the film Mangi is seen working on a collage which is her modern interpretation of this traditional art form.
Notes:
Title from resource description page (viewed December 01, 2017).
Won 2006 Mar del Plata Film Festival, 'Red de Cine de Derechos Humanos' Award - Special Mention
Won 2005 Ouagadougou Panafrican Film and Television Festival, Best Actress
OCLC:
745468825

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