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Yo empec�e a pintar cuando mi abuelita empez�o a perder la memoria : 100 a�nos de la masacre de Napaalp�i / curadur�ia afectiva, Kekena Corval�an ; artistas, Anah�i Fiorella G�omez, Paola Melissa Ferraris, Camila Barcellone.
- Format:
- Book
- Series:
- Librillo MNBA ; 44
- Language:
- Spanish
- Subjects (All):
- G�omez, Fiorella Anah�i--Exhibitions.
- G�omez, Fiorella Anah�i.
- Ferraris, Paola Melissa--Exhibitions.
- Ferraris, Paola Melissa.
- Barcellone, Camila--Exhibitions.
- Barcellone, Camila.
- Indian art--Argentina--21st century--Exhibitions.
- Indian art.
- Indians of South America--Violence against--Argentina--History--20th century--Pictorial works--Exhibitions.
- Indians of South America.
- Art, Modern--21st century--Exhibitions.
- Art, Modern.
- Art, Argentine--21st century--Exhibitions.
- Art, Argentine.
- Genre:
- exhibition catalogs.
- Exhibition catalogs.
- Physical Description:
- 41 pages : illustrations (chiefly color), portraits ; 21 cm.
- Place of Publication:
- [Santiago, Chile] : Museo Nacional de Bellas Artes, [2025]
- Summary:
- On July 19, 1924, in the territory of Gran Chaco, Argentina, a violent episode occurred in which hundreds of workers from the Qom, Mocoit and Vilela communities were murdered. During 1924, the communities carried out peaceful strikes demanding better living conditions, including payment in money for their work. In response, security forces surrounded the protesters, resulting in a massacre that left an estimated 500 dead. The massacre is considered an indigenous genocide, in which an Argentine military plane was used for the first time. The consequences included a profound cultural impact and the silencing of indigenous traditions and languages by the survivors, who sought to protect their descendants. Through various works deployed from first-person accounts that interrogate memories, through drawing and painting, the memories of the Qom Nation are investigated in a sequence of propulsion of memory, transferred to the artistic expression of Fiorella Anah�i G�omez belonging to this community. Fiorella begins to paint her family history when her grandmother Matilde Romualdo (a survivor of the Qom massacre) opens the narrative of this tragedy to her, in view of her notion of memory loss. This also begins a process of recovery of the original language. The exhibition incorporates Camila Barcellone and Paola Ferraris in a collaborative trilogy; with Kekena Corval�an in the curatorial exercise, from a link established as a collectivity.
- Contents:
- Presentaci�on / Varinia Brodsky Zimmermann
- Kapaalp�i fuera de Kapaalp�i: pintar, recordar, pintar, vivir / Kekena Corval�an, curadora
- Marisa Avigliano
- Fiorella Anah�i G�omez.
- Notes:
- "Este cat�alogo fue impreso con motivo de la exposici�on YO EMPEC�E A PINTAR CUANDO MI ABUELITA EMPEZ�O A PERDER LA MEMORIA presentada en el Museo Nacional de Bellas Artes de Santiago de Chile, desde el 30 de enero de 2025." --Colophon.
- Published on the occasion of the exhibition held in January 2025, at the Museo Nacional de Bellas Artes (MNBA) in Santiago, Chile.
- OCLC:
- 1517273996
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