1 option
Wendy Toye / Iram Kamran Qureshi.
- Format:
- Book
- Author/Creator:
- Qureshi, Iram Kamran, (Dr), author.
- Series:
- British Film-Makers Series
- British film makers
- Language:
- English
- Subjects (All):
- Toye, Wendy, 1917-2010.
- Women motion picture producers and directors--Great Britain.
- Women motion picture producers and directors.
- Great Britain.
- Local Subjects:
- Toye, Wendy, 1917-2010.
- Genre:
- Electronic books.
- Physical Description:
- 1 online resource : digital file(s).
- Edition:
- 1st ed.
- Place of Publication:
- Manchester, UK : Manchester University Press, 2026.
- Language Note:
- In English.
- System Details:
- data file
- Biography/History:
- Iram Kamran Qureshi is a Senior Lecturer at Ravensbourne University London.
- Summary:
- This book delves into the groundbreaking career of Wendy Toye, a trailblazing director, choreographer and creative force in British cinema and television. Through an in-depth exploration of her works, it examines her impact on post-war filmmaking, her virtuosity of movement and storytelling, and her enduring legacy in the arts.
- Contents:
- Cover
- Half Title
- Series Page
- Title Page
- Copyright information
- Contents
- Figures
- Series editors' foreword
- Acknowledgements
- Abbreviations
- Introduction
- Notes
- Chapter 1: A life in brief: the making of Wendy Toye
- Toye's artistic foundations: a brief biography
- Chapter 2: Through the Blitz and beyond: Wendy Toye and the context of post-war Britain
- Women in post-war British cinema
- Chapter 3: A taste for mystery: Toye's work in suspense and thriller genres
- Getting through the door leading to British cinema
- Toye's distinctive style: balletic choreography
- The most memorable key to success: The Stranger Left No Card (1952)
- Sequence 1: The Stranger's involvement with children at the station
- Sequence 2: The Stranger with passengers at the station circles the round benches with his balletic movements
- Sequence 3: The Stranger's walk after he exits the station and follows the band
- Horror thriller: In the Picture (1955), a segment of Three Cases of Murder
- Toye's first feature film: The Teckman Mystery (1954)
- Chapter 4: The comic lens: crafting comedy in Toye's films
- Carving success: Raising a Riot (1955)
- The transition from Korda to Rank: a challenging experience
- The art of light-hearted storytelling: Toye's All for Mary (1955)
- Toye's nautical comedy: True as a Turtle (1957)
- Sailing through laughter: the charm of We Joined the Navy (1962)
- Chapter 5: Weaving tales through movement: the fantasy in Toye's musicals
- A cinematic Christmas carol: the wit and whimsy of On the Twelfth Day (1955)
- The delightful adaptation of The King's Breakfast (1963)
- Chapter 6: Beyond cinema: television and other screen ventures
- Staging stories for television: Toye's contribution to the medium
- Esmé Divided (1957): the victory of Heart.
- Toye's contribution to musical broadcasting
- Branching out: theatre plays for TV
- A comic opera reimagined: Orpheus in the Underworld (1961)
- Stranger in Town (1982): a remake for TV
- Contrasts between the original and the remake
- Chapter 7: A lasting impact: Toye's legacy in British cinema
- Bibliography
- Index
- Copyright information.
- Notes:
- Includes bibliographical references and index.
- Description based on publisher-supplied metadata; resource not viewed.
- Part of the metadata in this record was created by AI, based on the text of the resource.
- ISBN:
- 1-5261-6578-3
- 1-5261-6580-5
- 9781526165787
- OCLC:
- 1564131417
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.