My Account Log in

2 options

Imagomaquia : la imagen-pensamiento / Miguel Alfonso Bouhaben.

Online

Available online

View online
LIBRA B105.I47 B68 2024
Loading location information...

Available from offsite location This item is stored in our repository but can be checked out.

Log in to request item
Format:
Book
Author/Creator:
Bouhabén, Miguel Alfonso, author.
Series:
Colección: Imagen e historia
Language:
Spanish
Subjects (All):
Image (Philosophy).
Physical Description:
321 pages : illustrations ; 24 cm.
Place of Publication:
Buenos Aires, Argentina : Prometeo Editorial, [2024]
Summary:
The twelve chapters comprising this book are oriented toward considering the dialogues interwoven between thought and image based on two concepts. On the one hand, the concept of Imagomachy, which expresses the struggle between the enunciative power of the hegemonic visual production machine, which imposes its ideas through images that grid our ways of thinking, and the various lesser and resistant forms of counter-enunciation; in this case, between the alienating images of capital cinema and the critical images of essay cinema.
Contents:
Prólogo
Líneas de guerra
Cartografía de conceptos
I. Imagen-deconstrucción. Le Gai Savoir (Godard, 1968)
Imagen-multiplicidad. Id et ailleurs (Godard y Miéville, 1974)
Imagen-escritura e imagen-velocidad. Six fois deux (Godard y Miéville, 1976) y France tour détour deux enfants (Godard y Miéville, 1977-1978)
II. Imagen-memoria. Nuit et Brouillard (Resnais, 1955) y Shoah (Lanzmann, 1985)
Imagen-memoria, imagen-montaje e imagen-aérea. Cine-ensayo y holocausto en Resnais, Godard, Farocki
Imagen-negación. Arbeiter verlassen die fabrik (Farocki, 1995)
III. Imagen-perspectiva e imagen-diferencia. El sistema del cine-ojo de Dziga Vertov
Imagen-improvisación, imagen-diálogo e imagen-fabulación. Moi, un noir (Rouch, 1958)
Imagen-desvío. La sociedad del espectáculo (Debord, 1967, 1973, 1975)
IV. Imagen-exploración, imagen-descarrilamiento, imagen-texto, imagen-desvío e imagen-disparo. Santiago Álvarez y el cine-ensayo
Imagen-encierro. Espacios de disciplinamiento y cuerpos dóciles en las películas invisibles/invisibilizadas de Efraín Torres Chaves
Imagen-barroco. Los pliegues de la imagen en el cine de Andrés Di Telia
Bibliografía.
Notes:
Includes bibliographical references 305-321.
ISBN:
9786316604491
OCLC:
1546901357

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account