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The Oxford handbook of music in China and the Chinese diaspora / edited by Yu Hui and Jonathan P.J. Stock.
- Format:
- Book
- Series:
- Oxford handbooks online.
- Oxford handbooks online
- Language:
- English
- Subjects (All):
- Music--China--History and criticism.
- Music.
- Chinese--Music--History and criticism.
- Chinese.
- Physical Description:
- 1 online resource (569 pages)
- Other Title:
- Handbook of music in China and the Chinese diaspora
- Music in China and the Chinese diaspora
- Place of Publication:
- New York, NY : Oxford University Press, 2023.
- Summary:
- 'The Oxford Handbook of Music in China and the Chinese Diaspora' illuminates new insights into Chinese music studies, musical genres, and contexts. This volume incorporates extensive scholarly insight from China, Taiwan, and the Chinese diaspora, and is arranged into three parts: the historical legacies of Chinese music, evolving practice and musical transformations, and prominent issues in Chinese music studies.
- Contents:
- Cover
- MUSIC IN CHINA AND THE CHINESE DIASPORA
- Copyright
- Contents
- List of Figures and Tables
- Acknowledgments
- Note on Glossaries
- List of Contributors
- 1. Introduction: Frames of Reference for the Study of Music in China and Its Diaspora
- Part I New Directions in History and Theory
- 2. Musical Archaeology and the Prehistory of Chinese Music
- 3. Theorizing "Natural Sound": Ancient Chinese Music Theory and Its Contemporary Applications in the Study of Guqin Intonation
- 4. The Huxuan and Huteng Dances: Foreign Musical Dances in Chinese History
- 5. Kunqu from Analytical Perspectives: A Focus on "Feng ru song"
- 6. Why and How Do Chinese Sing Shijing Songs?
- 7. Music History and Historiography in the Chinese Context
- 8. Chinese Music Modernities
- Part II Music Genres and Practices in Evolving Contexts
- 9. Traditional Instruments and Heterophonic Practice
- 10. Jiangnan Sizhu in the Greater Suzhou Area: Repertoire, Revitalization, and Sustainability
- 11. Social Change and the Maintenance of Musical Tradition among the Western Yugurs
- 12. The Making of a Music Community as a Manifestation of Nationalism: The Jinyu Qinshe Society in 1930s China
- 13. A Multimodal and Interdisciplinary Approach to Luo Yusheng's Video Performance of Choumo yinchu (At Break of Day)
- 14. The Emergence of Taiwanese New Xiqu: A Case Study on Chichiao Musical Theater
- 15. Hybridity in the Modern Chinese Orchestral Music (Guoyue) of Taiwan
- 16. Trends in the Globalization of Pipa Music
- Part III Cross-cutting Issues in Contemporary Settings
- 17. Humanism in Red: A New Mainstream Narrative in the Pop Songs of 1980s China
- 18. Staging Race and Sexuality Across Borders: Marketing Pop Singer Coco Lee
- 19. Re-Imagining China's Women Pianists: Yuja Wang and Zhu Xiao-Mei.
- 20. Liveness and Mediation in Chinese Art Music: From The Map to the Qingming Festival
- 21. The Amateur and the Professional in Wuhan's Park Pop
- 22. "Minorities" and the Mainstream: The Musical Place of the Non-Han Peoples in Modern China
- 23. "Kita Anak Malaysia" ("We are the Children of Malaysia"): Performing Multicultural Chinese Identities
- 24. Conclusions: New Directions in Chinese Music Research
- Index.
- Notes:
- Also issued in print: 2023.
- Includes bibliographical references and index.
- Description based on online resource and publisher information; title from PDF title page (viewed on August 14, 2023).
- ISBN:
- 9780190661984
- 0190661984
- 9780190661991
- 0190661992
- 9780190661977
- 0190661976
- OCLC:
- 1393439553
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