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Pro tools first : fundamentals of audio production / Avid Technology, Inc.
- Format:
- Book
- Author/Creator:
- Avid Technology, Inc., author.
- Series:
- Avid learning series.
- Avid learning series
- Language:
- English
- Subjects (All):
- Pro Tools.
- Physical Description:
- 1 online resource (525 pages)
- Place of Publication:
- Lanham, Maryland : Rowman & Littlefield, [2021]
- Summary:
- Geared towards beginners with little or no experience in working with a Digital Audio Workstation, Pro Tools | First offers a solid foundation in this audio production software that can lead users anywhere in the world of audio production or music creation.
- Contents:
- Intro
- Acknowledgments
- About the Author
- INTRODUCTION Welcome to Pro Tools | First
- What Is Pro Tools, Exactly?
- About This Book
- Who This Book is Written For
- Book Structure
- Conventions and Symbols
- System Requirements and Download Media
- System Requirements
- Download Media
- Becoming Avid Certified
- The Avid Learning Partner Program
- Curriculum and Certification Levels
- User Certification
- Operator Certification
- Expert Certification
- Avid Certified. Real Skills. Proven.
- CHAPTER 1 Getting Started
- Audio Basics
- Waveform, Frequency and Amplitude
- Waveform
- Frequency
- Amplitude
- Audio in the Digital Domain
- Frequency and Sample Rates
- Bit Depth and Dynamic Range
- The Impact of Sample Rate and Bit Depth Choices on File Size
- DAWs and Pro Tools: An Introduction
- A Brief History of Audio Technology
- Before the Revolution
- Drum Machines and Samplers
- MIDI Steps In
- Digital Audio Recorders: The Hard Drive Replaces Tape
- Digital Audio Workstations: The Computer Stands on its Own
- Digital Audio Workstations: What Are They?
- Sessions and Projects
- Clips vs. Files
- Non-Linear,Non-destructive
- Real-timeProcessing
- Why Pro Tools?
- What Pro Tools Can Do
- Pro Tools Versions
- Pro Tools: The Industry Standard
- What Makes Up a Pro Tools System?
- The Heart of Your DAW: The Computer
- CPU
- RAM
- Hard Drives
- Not to be Overlooked: Mice, Trackballs, Keyboards
- Getting Audio In, Getting Audio Out: Audio Interfaces
- Computer Connections
- Analog Audio Connections
- Digital Audio Connections
- Hearing the Real Mix: Monitors
- What to Look for in Monitor Speakers
- Speakers Versus Headphones
- Great Resources
- Avid's Compatibility Documents
- Knowledge Base
- In-ApplicationHelp
- Installing Pro Tools | First
- Installing Pro Tools | First.
- iLok Protection
- Avid Link
- Software Updates
- Finding Installation Information
- Opening and Playing a Pro Tools | First Project
- What is a Project?
- When a Project is Not a Project
- Opening a Project
- Signing In
- Choosing a Project
- Playback Engine and Hardware Setup
- The Playback Engine Dialog Box
- The Hardware Dialog Box
- Basic Pro Tools Operation
- Starting and Stopping Playback
- Setting a Playback Start Point
- Closing a Project and Quitting Pro Tools | First
- Hands-OnExercise 1.1: Basic Playback
- Signing In and Opening a Project
- Setting Up the Playback Engine and Hardware
- Playing a Project
- Quitting Pro Tools | First
- Review Questions
- CHAPTER 2 Creating Projects and Tracks
- Powering Up Your Hardware
- Creating a Project
- Creating a Blank Project
- Creating a Project from a Template
- Creating a Project from a Session
- Saving a Project
- Deleting a Project
- Hands-OnExercise 2.1: Creating a Project
- Creating Projects
- The Main Pro Tools Windows
- The Edit Window
- Edit Window Toolbar
- Edit Mode Buttons
- Edit Tools
- Counter and Edit Selection
- MIDI Controls
- Transport Controls
- Output Meters
- Collaboration Controls
- Rulers
- Tracks List
- Changing Tracks List Width
- Tracks and Clips
- Edit Window Views
- The Mix Window
- Mix Controls
- Mix Window Views
- The Transport Window
- Playback and Record Controls
- Collaboration Tools
- Counters
- Meters
- The System Usage Window
- Window Management
- Menu Structure
- Hands-OnExercise 2.2: Customizing the Pro Tools GUI
- Change Main Counter
- Show or Hide Edit Window Views
- Change Main Windows
- Show and Hide Mix Window Views
- Introduction to Tracks
- Track Types
- Audio
- Auxiliary Input
- MIDI
- Instrument
- Master Fader
- Mono vs. Stereo.
- Creating New Tracks
- Adding Multiple Tracks
- Adding New Tracks Like the Previous
- Selecting Inputs and Outputs
- Managing Your Tracks
- Selecting Tracks
- Showing and Hiding Tracks
- Changing Track Order
- Changing Track Height
- Changing Track Color
- Renaming Tracks
- Muting and Soloing Tracks
- Deleting Tracks
- Hands-OnExercise 2.3: Making Tracks
- Open an Existing Project
- Create New Tracks
- Set Inputs and Outputs
- Delete a Track
- Save a project
- CHAPTER 3 Importing Audio
- Considerations Prior to Import
- Sample Rate and Bit Depth
- Audio File Formats
- Split Stereo versus Interleaved
- Importing Audio
- Importing Audio from the File Menu
- Importing from a File Browser
- Hands-OnExercise 3.1: Importing Audio
- Create a New Project
- Import Audio from the File Menu
- Drag Audio from the File Browser
- Project Clean-Up
- The Workspace/Soundbase Browser
- Opening the Soundbase Browser
- Understanding the Soundbase Window
- The Locations Pane
- The Tags Pane
- The Advanced Search Settings Pane
- The Browser Pane
- The Toolbar
- Soundbase Workflows
- Basic Search
- Advanced Search
- Searching by Tag
- Previewing
- Importing
- Hands-OnExercise 3.2: Importing from the Soundbase Browser
- Setting Up
- Importing a Guitar Part
- Importing Other Tracks
- Cleaning Up
- Customizing the Soundbase
- Changing the Soundbase Window
- Tags
- Setting Sound Libraries
- Hands-OnExercise 3.3: Tagging Files
- Adding Tags
- A New Way to Search by Tags
- CHAPTER 4 Editing Audio
- What is Editing?
- Careers in Editing: An Interview with Steven Saltzman
- Scrolling and Zooming in the Edit Window
- Scrolling
- Zooming
- Vertical Zooming
- The Big Three: Trim, Selector, and Grabber
- The Trim Tool
- The Selector Tool.
- The Grabber Tool
- The Edit Modes
- Slip Mode
- Shuffle Mode
- Grid Mode
- Relative Grid Mode
- Spot Mode
- Accessing the Edit Modes with F Keys
- Hands-OnExercise #4.1: Assembling a Song Pt. 1
- Getting Started
- Building the First Section
- More Edit Tools
- The Zoomer Tool
- Single Zoom
- The Pencil Tool
- The Smart Tool
- Making Selections and Playing Audio
- Making Selections on Multiple Tracks
- Playing Selections
- Hands-OnExercise #4.2: Assembling a Song Pt. 2
- Editing with the Smart Tool
- Sync Points and Spot Mode
- CHAPTER 5 Recording Audio
- What is Recording?
- Careers in Recording: An Interview with Mario De Jesus
- Getting Audio into Your System
- Microphones
- Dynamic Microphones
- Condenser Microphones
- Ribbon Microphones
- Large Diaphragm vs. Small Diaphragm
- Polarity Patterns
- Line Level Inputs
- DI Inputs
- The Importance of the Recording Space
- Isolating the Microphone
- Sound Absorption
- The Proximity Effect and Your Recording Space
- Preparing to Record
- Meter and Tempo
- Meter
- Tempo
- Tempo and Meter Rulers
- Tap Tempo
- The Conductor Track
- Click Track
- Creating a Click Track
- Click and Countoff Options
- Setting Up I/O for Recording
- Using an Output Window
- Monitoring During Recording
- Basic Recording
- After Recording
- Hands-On Exercise 5.1: Basic Recording
- Record Voiceover
- Review Recording
- Punch-In Recording
- Recording Selections
- Pre-Roll and Post-Roll
- QuickPunch Recording
- Hands-On Exercise 5.2: Punching In
- Set Punch-in and Punch-out Points
- Set Pre-Roll and Post-Roll
- Punch-In
- QuickPunch
- Loop Recording
- Choosing Takes
- CHAPTER 6 MIDI
- MIDI Basics
- Digital Music Paper
- How Sound is Created with MIDI.
- Controllers and Sound Modules
- Virtual Instruments
- Careers in Music Creation
- Setting Up Your MIDI Studio
- MIDI Studio Setup on a Mac
- MIDI Studio Setup on a Windows Computer
- Creating MIDI Tracks and Instrument tracks
- MIDI/Aux Track Workflow
- Using Virtual Instruments on an Aux Track
- Instrument Tracks
- Changing Sounds
- Changing Sounds on an External Device
- Changing Sounds on a Virtual Instrument
- Hands-On Exercise 6.1: Creating MIDI and Instrument Tracks
- Setting Things Up
- Setting Up a MIDI/Aux Track Combination
- Setting Up an Instrument Track
- Time and MIDI
- What is a Tick?
- Timebases and Rulers
- Timebases and Tracks
- Editing MIDI
- Clips View
- Notes View
- Editing MIDI with the Pencil Tool
- Velocity View
- Volume, Pan, and Continuous Controllers
- More Ways to Work with MIDI
- Working with Tempo
- The Event>
- Event Operations Window
- The MIDI Editor
- Recording MIDI
- Basic MIDI Recording
- MIDI Loop Recording
- MIDI Merge Recording
- "Printing" MIDI
- Panic!
- Hands-On Exercise 6.2: Editing MIDI
- Creating MIDI Data with the Pencil Tool
- Editing Pitch
- Editing Duration
- Changing Velocity
- CHAPTER 7 Taking Your Editing to the Next Level
- Managing Multiple Tracks
- Changing Multiple Tracks
- Basic Clip Editing
- Cut, Copy, and Paste
- Clearing
- Duplicating
- Repeating
- Constraining Motion with the CONTROL/START Key
- Separating Clips
- Basic Separate
- Separate at Grid
- Separate at Transient
- Heal Separation
- Consolidating Clips
- Trimming Clips
- Trimming with Shortcuts
- Trimming from the Beginning of a Clip
- Trimming from the End of a Clip
- Trimming to Selection
- Trim Tool Variations
- TCE
- Clip Looping and the Loop Trim Tool
- Nudging
- Fades
- Creating a Fade-in or Fade-out.
- Creating a Crossfade.
- Notes:
- Description based on print version record.
- ISBN:
- 9798765178959
- 1-5381-4385-2
- OCLC:
- 1255226645
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