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Time and Tide : The Implementation and Receipt of Narrative Historical Writing, Fictional and Non-Fictional.
- Format:
- Book
- Author/Creator:
- Pendery, David.
- Language:
- English
- Physical Description:
- 1 online resource (300 pages)
- Edition:
- 1st ed.
- Place of Publication:
- Bradford : Ethics International Press Limited, 2024.
- Summary:
- The work introduces the topic of historical writing in fictional and non-fictional contexts, methodologies and approaches. The author analyses historiography and historical novels and shows how a confabulation is evident in these works, and how these are transacting modes in a single paradigm. The book uses the theoretical construct of the "Aesthetics Ethic." It looks at varied aesthetic contours in lived experience, a given "social ethic," histories of sensibilities, and what is termed a "narrative ethic", and goes on to look at "Narrative consciousness and historical experience: Living links," with analysis comprising narrative consciousness, psychological concepts including subjectivity and objectivity, and "the importance of thought." The book also introduces a new theoretical model of historical truth apprehension.The examination of fictionalized history and historicized fiction examines aesthetic contours including point of view and the concept of "becoming" in fiction and history; heteroglossia and intertextuality; the conceptions of contingency, metaphor, modality, and chaos; and temporality and rhetoric. It conclude with thoughts and summaries to bring the whole work into focus.
- Contents:
- Intro
- Chapter One Time and Tide-Introduction
- Chapter Two Lived Experience, Historical Consciousness and Narrative: A Collaborative Aesthetics Ethic
- Introduction
- The Aesthetics Ethic: A Community Ethic
- The Aesthetics Ethic and Daniel Wickberg's Histories of Sensibilities
- The Aesthetics Ethic: A Narrative Ethic
- Conclusion
- Chapter Three Narrative Consciousness and Historical Experience: Operative Articulations
- David Carr's Theory of Narrative
- Subjectivity and Objectivity: Theories of Coherence
- The Importance of Thought, Redux
- Chapter Four The Aesthetic Contours of Historiography and Historicized Fiction: Two Sides of the Same Coin
- Historical Writing, Aesthetic Contours: Imagination
- Historical Writing, Aesthetic Contours: Point of View
- Historical Writing, Aesthetic Contours: Fictionalization
- Historical Writing, Aesthetic Contours: Becoming
- Historical Writing, Aesthetic Contours: Heteroglossia, Intertextuality
- Historical Writing, Aesthetic Contours: Contingency, Metaphor, Modality, Chaos
- Historical Writing, Aesthetic Contours: Temporality
- Historical Writing, Aesthetic Contours: Rhetoric
- Chapter Five That Stark, White Temple, those Choppy Waves: Truth in Historical Writing
- Fictional Truth and Belief: A Personal View
- Fictional Belief
- Fictional Truth
- Actual Truth
- Possible Truth
- Assumed Truth
- Procedures Obtaining Truth in Fiction
- Chapter Six The Creation of Narrative Historical Writing: Concluding Thoughts and Summaries
- Concluding Thoughts
- Concluding Summaries
- Sources Cited.
- Notes:
- Description based on publisher supplied metadata and other sources.
- ISBN:
- 9781804418611
- 1804418617
- OCLC:
- 1463085983
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