My Account Log in

1 option

Creative Infrastructures : Artists, Money and Entrepreneurial Action / Linda Essig.

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Essig, Linda, 1949- author.
Language:
English
Subjects (All):
Arts--Economic aspects.
Arts.
Arts--Finance.
Arts and society.
Entrepreneurship.
Physical Description:
1 online resource (204 pages)
Edition:
First edition.
Place of Publication:
Bristol, England : Intellect, [2022]
Summary:
A new collection of connected essays and case studies that delve deeply into the relationships between art, innovation, entrepreneurship and money. Arts entrepreneurship is a growing field, and this book is ideal for arts administrators and policy analysts as well as for artists who participate in professional development programmes. 5 illus.
Contents:
Front Cover
Half Title
Creative Infrastructures: Artists, Money, and Entrepreneurial Action
Copyright Page
Table of contents
Prologue
Essay One: An Ouroboros of Self-Sustainability
The Approach
Defining Terms: Art, Innovation, Entrepreneurship, Money
Given Conditions: The Late-Capitalist Economy
Language and Ideology
The "Knowledge Economy," Technology, and Arts Work
The DIY Artist
The Scene Is Set
The Players
The Artist
The Audience
Gatekeepers
The Action
Denouement
Notes
Essay Two: Motivation, Symbolic Meaning, and Social Impact
Symbolic Meaning and Identity Expression
Experience and the Co-Creation of Meaning
Economies of Art
Meaning, Impact, and Its Assessment
Yes, and …
Here, Now
Essay Three: Art, Capitalism, and Its Discontents
The Hierarchy of Capital
Controlling Risk
Gatekeeping
Geography
Labor Control of the Means of Production
Individuation: The Upside and Downside of the "Gig Economy"
When the Creative Industries "Work"
Scale and Value
Is Capitalism "Smart?"
Essay Four: Novelty, Uniqueness, Originality
Individuals Making Multiples
Organizations: Museum Stores and Artist Retail
The Retail Environment
Copyright and Its Discontents
The Innovation Narrative
Essay Five: Making Way for Impact
Art for Change
Community Context
Theory of Change
"At Home in the Desert"
Social Profit
"Measuring" Social Impact
Measuring Creative Placemaking
Guidelines for Evaluation
Indicators and Outcomes
Individual Impact
Impactful art sustains artists
From Innovation to Impact
Essay Six: The Nature of (Arts) Entrepreneurial Action
Introduction
Entrepreneurial Action in the Arts
Mediating Structures
Networking and Communicating.
Recognizing Opportunity
Intermediaries for Entrepreneurial Action
Incubators and Professional Development
The Elephant in the Room: Why (Some) Artists Hate the Word "Entrepreneur"
Essay Seven: Being an Entrepreneurial Artist
What Does It Mean to Be an Entrepreneurial Artist?
Connecting Work with Other People
Thinking of Myself as a Business
Sustaining Creative Practice
I'm an Artist
Profile: Clifton Taylor, Lighting Designer
Profile: Daniel Bernard Roumain, Composer and Performer
The Idea of the "Portfolio Career"
Being Entrepreneurial through Collective Action
Entrepreneurship as Art
Success (?)
Essay Eight: Eschewing Scarcity and Finding Abundance
Abundance
Creativity
Generosity
Intellectual Property
Art
Scarcity and Precarity
The Neoliberal "Free" Market for Creativity
Winner Take All
Precarity
Overcoming Scarcity and Precarity with Entrepreneurial Creativity
Presale
Efficiency
Resource Sharing
"bar-fund"
"OurGoods"
Making art while parenting
Collective Action
Is There a Policy Answer?
Essay Nine: Buying Up, Not Selling Out
Individual Artists
Tangible Assets and Risk
Organizations
Self Help Graphics and Art
Springboard for the Arts
Mission fulfillment and expansion
Communities, Markets, and Capital Flow
Tieton, Washington
Utica, Mississippi
Contrasting Perspectives on Market Effects
Supporting Resilience
Epilogue: A Future Imaginary
Rey Lopez
Swift Z
Yet Still, It Is Now
Bibliography
Back Cover.
Notes:
Description based on print version record.
Includes bibliographical references.
ISBN:
9781789385731
1789385733
9781789385724
1789385725

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account