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Reading War, Making Memory : Remembering the Bosnian War Across Europe. Tea Sindbaek Andersen
- Format:
- Book
- Author/Creator:
- Sindbæk Andersen, Tea., Author.
- Series:
- Worlds of Memory Series
- Worlds of Memory Series ; v.17
- Language:
- English
- Physical Description:
- 1 online resource (311 pages)
- Edition:
- 1st ed.
- Place of Publication:
- New York, NY : Berghahn Books, Incorporated, 2025.
- Summary:
- A clarifying analysis of how authors from Bosnia-Herzegovina translate and transmit the memory of the Bosnian War into their fiction, Reading War, Making Memory spotlights a vital new framework for understanding the impact of conflict upon diasporic literature from the region of the former Yugoslavia: "mnemonic migration.".
- Contents:
- Reading War, Making Memory
- Contents
- Acknowledgements
- Introduction
- Part I. Portable Monuments: Memory Novels and Fictional Witnessing
- Chapter 1. The Experiential Child Witness: Saša Stanišić's Wie Der Soldat Das Grammophon Repariert (How the Soldier Repairs the Gramophone)
- Memory-Making: The Experiential Mode
- Nationalistic Sentiments in the Private Sphere
- Experiencing the Bosnian War - The Invasion of Višegrad
- Sound, Music, and Silence
- The Flight: Aleksandar's Development and the Transformation of the Narrative Mode
- The Narrative Mode of the Unfinished
- Remembering the Bosnian War - The Return
- Football Match as an Allegory of the War
- Stanišić's Version of War Memory
- Notes
- Chapter 2. Memory as a Fictional Trial: Nicol Ljubić's Meeresstille (Stillness of the Sea)
- Narrative Structure
- The Stillness of the Sea - A Mnemonic Narrative
- Antagonism and National Targeting
- Contesting Germany's Cultural Memory
- Multi-perspectivity
- Ljubić's Bosnian War Memory and History Writing
- Chapter 3. High- Definition Fictional Witnessing: Aleksandar Hemon's 'A Coin'
- The Experiential Mode - Memory of Objects and Affects
- One-Way Conversation - Hemon's Play with Genre
- Medial Layers
- 'A Coin' as War Memory
- Chapter 4. War Memory Seen Through the Banal Boredom of Refugee Life: Alen Mešković's Ukulele Jam
- The Boredom of Life as a Refugee
- The Teenage Perspective
- Living with Trauma on a Beach
- The War as a Jigsaw-Memory
- Part II. Public Circulations of Literary Memory
- Chapter 5. Quantifiable Success and Public Outreach: The Roles of Publishers, Libraries and Publicity in Mnemonic Migration
- Chapter 6. Professional Readings and Public Remediations
- Part III. Readers' Reception.
- Chapter 7. Reading Saša Stanišić's How the Soldier Repairs the Gramophone: Mediations, Emotions and Prosthetic Memory
- Chapter 8. Fictional Witnessing and Frameworks of Memory: Engaging with Stanišić's War Memory
- Chapter 9. Reading Ljubić, Hemon and Mešković: Mediations, Emotions and Prosthetic Memory
- Chapter 10. Interpreting Ljubić, Hemon and Mešković: Targeted Memory Transmissions and Frameworks of Memory
- Chapter 11. Fictional Witnessing Returning to Bosnia- Herzegovina: Opening Mnemonic Grey Zones?
- Chapter 12. Do Readers Remember One Year Later?
- Conclusions
- Bibliography
- Index.
- Notes:
- Description based on publisher supplied metadata and other sources.
- ISBN:
- 1-83695-232-5
- OCLC:
- 1545082557
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