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Reading War, Making Memory : Remembering the Bosnian War Across Europe. Tea Sindbaek Andersen

De Gruyter Berghahn Books Complete eBook-Package 2025 Available online

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Format:
Book
Author/Creator:
Sindbæk Andersen, Tea., Author.
Contributor:
Ortner, Jessica.
Borčak, Fedja Wierød.
Series:
Worlds of Memory Series
Worlds of Memory Series ; v.17
Language:
English
Physical Description:
1 online resource (311 pages)
Edition:
1st ed.
Place of Publication:
New York, NY : Berghahn Books, Incorporated, 2025.
Summary:
A clarifying analysis of how authors from Bosnia-Herzegovina translate and transmit the memory of the Bosnian War into their fiction, Reading War, Making Memory spotlights a vital new framework for understanding the impact of conflict upon diasporic literature from the region of the former Yugoslavia: "mnemonic migration.".
Contents:
Reading War, Making Memory
Contents
Acknowledgements
Introduction
Part I. Portable Monuments: Memory Novels and Fictional Witnessing
Chapter 1. The Experiential Child Witness: Saša Stanišić's Wie Der Soldat Das Grammophon Repariert (How the Soldier Repairs the Gramophone)
Memory-Making: The Experiential Mode
Nationalistic Sentiments in the Private Sphere
Experiencing the Bosnian War - The Invasion of Višegrad
Sound, Music, and Silence
The Flight: Aleksandar's Development and the Transformation of the Narrative Mode
The Narrative Mode of the Unfinished
Remembering the Bosnian War - The Return
Football Match as an Allegory of the War
Stanišić's Version of War Memory
Notes
Chapter 2. Memory as a Fictional Trial: Nicol Ljubić's Meeresstille (Stillness of the Sea)
Narrative Structure
The Stillness of the Sea - A Mnemonic Narrative
Antagonism and National Targeting
Contesting Germany's Cultural Memory
Multi-perspectivity
Ljubić's Bosnian War Memory and History Writing
Chapter 3. High- Definition Fictional Witnessing: Aleksandar Hemon's 'A Coin'
The Experiential Mode - Memory of Objects and Affects
One-Way Conversation - Hemon's Play with Genre
Medial Layers
'A Coin' as War Memory
Chapter 4. War Memory Seen Through the Banal Boredom of Refugee Life: Alen Mešković's Ukulele Jam
The Boredom of Life as a Refugee
The Teenage Perspective
Living with Trauma on a Beach
The War as a Jigsaw-Memory
Part II. Public Circulations of Literary Memory
Chapter 5. Quantifiable Success and Public Outreach: The Roles of Publishers, Libraries and Publicity in Mnemonic Migration
Chapter 6. Professional Readings and Public Remediations
Part III. Readers' Reception.
Chapter 7. Reading Saša Stanišić's How the Soldier Repairs the Gramophone: Mediations, Emotions and Prosthetic Memory
Chapter 8. Fictional Witnessing and Frameworks of Memory: Engaging with Stanišić's War Memory
Chapter 9. Reading Ljubić, Hemon and Mešković: Mediations, Emotions and Prosthetic Memory
Chapter 10. Interpreting Ljubić, Hemon and Mešković: Targeted Memory Transmissions and Frameworks of Memory
Chapter 11. Fictional Witnessing Returning to Bosnia- Herzegovina: Opening Mnemonic Grey Zones?
Chapter 12. Do Readers Remember One Year Later?
Conclusions
Bibliography
Index.
Notes:
Description based on publisher supplied metadata and other sources.
ISBN:
1-83695-232-5
OCLC:
1545082557

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