My Account Log in

1 option

Who reads poetry : 50 views from Poetry magazine / edited by Fred Sasaki and Don Share.

De Gruyter University of Chicago Press Complete eBook-Package 2017 Available online

De Gruyter University of Chicago Press Complete eBook-Package 2017
Format:
Book
Contributor:
Sasaki, Fred, editor.
Share, Don, 1957- editor.
Language:
English
Subjects (All):
Poetry (Chicago, Ill.).
Poetry--History and criticism.
Poetry.
Physical Description:
1 online resource (228 pages)
Place of Publication:
Chicago, Illinois ; London [England] : The University of Chicago Press, 2017.
Summary:
Who reads poetry? We know that poets do, but what about the rest of us? When and why do we turn to verse? Seeking the answer, Poetry magazine since 2005 has published a column called “The View From Here,” which has invited readers “from outside the world of poetry” to describe what has drawn them to poetry. Over the years, the incredibly diverse set of contributors have included philosophers, journalists, musicians, and artists, as well as doctors and soldiers, an iron-worker, an anthropologist, and an economist. This collection brings together fifty compelling pieces, which are in turns surprising, provocative, touching, and funny. In one essay, musician Neko Case calls poetry “a delicate, pretty lady with a candy exoskeleton on the outside of her crepe-paper dress.” In another, anthropologist Helen Fisher turns to poetry while researching the effects of love on the brain, “As other anthropologists have studied fossils, arrowheads, or pot shards to understand human thought, I studied poetry. . . . I wasn’t disappointed: everywhere poets have described the emotional fallout produced by the brain’s eruptions.” Even film critic Roger Ebert memorized the poetry of e. e. cummings, and the rapper Rhymefest attests here to the self-actualizing power of poems: “Words can create worlds, and I’ve discovered that poetry can not only be read but also lived out. My life is a poem.” Music critic Alex Ross tells us that he keeps a paperback of The Palm at the End of the Mind by Wallace Stevens on his desk next to other, more utilitarian books like a German dictionary, a King James Bible, and a Macintosh troubleshooting manual. Who Reads Poetry offers a truly unique and broad selection of perspectives and reflections, proving that poetry can be read by everyone. No matter what you’re seeking, you can find it within the lines of a poem.
Contents:
Frontmatter
CONTENTS
Introduction
It Is Nothing like That
Better Speak
Out There
The Madness of the Gods
Love Jones
All My Heart for Speech
They Could Croon
One- Track Mind
The Necessary Fluster
Poetry, Daily
Knowing Nothing
Four Walls
A Place for Poetry
Romance and Reality
Haiku Economics
Green I Love You Green
The True Nature
The Idea of Order
Para Rumbiar
Lucid, Inescapable Rhythms
“Two Loves I Have . . .”
Written in Rock Candy
To Hell with Drawers
My Life Is a Poem
Loosening the Grip
Word’s Worth
My Flaming Hamster Wheel of Panic about Publicly Discussing Poetry in This Respected Forum
Poetry Out Loud
Poetry Is Useless
Poetry Is a Dumb- Ass Spider
Wild Unrest
The Fire of Life
Gloriously Undone
Debris
On the Road with Wallace and Wystan
Everything Moves to Live
Earthward
Happy, Snappy, Sappy
Like, a Noticeable Amount of Pee
On Poetry
Imperfect Recall
Dust and Stones
Imagining Freedom
Sarajevo Blues
Reporting Poetry
Like Soldiers Marching
Rama Stores
Notes:
Description based on print version record.
ISBN:
0-226-50493-X
OCLC:
1198930605

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account