Closely Watched Films : An Introduction to the Art of Narrative Film Technique / Marilyn Fabe.

Format:

Book

Author/Creator:

Fabe, Marilyn, Author.

Language:

English

Subjects (All):

Motion pictures--Aesthetics.

Motion pictures.

Motion pictures--Evaluation.

Physical Description:

1 online resource (298 p.)

Place of Publication:

Berkeley, CA : University of California Press, [2020]

Language Note:

English

Summary:

How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to Spike Lee's Do the Right Thing, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film—arguably the most influential of contemporary forms of representation—constitutes our pleasure, influences our thoughts, and informs our daily reality.

Contents:

Front matter

Contents

Illustrations

Acknowledgments

Introduction

1. The Beginnings of Film Narrative: D.W. Griffith’s The Birth of a Nation

2. The Art of Montage: Sergei Eisenstein’s The Battleship Potemkin

3. Expressionism and Realism in Film Form: F.W. Murnau’s The Last Laugh and Charles Chaplin’s The Adventurer

4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks’s His Girl Friday

5. Expressive Realism: Orson Welles’s Citizen Kane

6. Italian Neorealism: Vittorio De Sica’s The Bicycle Thief

7. Auteur Theory and the French New Wave: François Truffaut’s The 400 Blows

8. Hollywood Auteur: Alfred Hitchcock’s Notorious

9. The European Art Film: Federico Fellini’s 8 1/2

10. Film and Postmodernism: Woody Allen’s Annie Hall

11. Political Cinema: Spike Lee’s Do the Right Thing

12. Feminism and Film Form: Patricia Rozema’s I’ve Heard the Mermaids Singing

13. Epilogue: Digital Video and New Forms of Narrative in Mike Figgis’s Timecode

Notes

Glossary

Bibliography

Index

Notes:

Description based upon print version of record.

Includes bibliographical references (p. 267-272) and index.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jun 2020)

ISBN:

1-282-35974-6

9786612359743

0-520-93729-5

1-59734-547-4

OCLC:

180698472