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Harmony and Counterpoint : Ritual Music in Chinese Context / ed. by Bell Yung, Evelyn S. Rawski, Rubie S. Watson.

De Gruyter Stanford University Press eBook-Package Archive Pre-2000 Available online

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Format:
Book
Contributor:
Boltz, Judith Magee, Contributor.
Judd, Ellen R., Contributor.
Lam, Joseph S. C., Contributor.
Li, Ping-Hui, Contributor.
Provine, Robert C., Contributor.
Rawski, Evelyn S., Contributor.
Rawski, Evelyn S., Editor.
Rees, Helen, Contributor.
Watson, Rubie S., Contributor.
Watson, Rubie S., Editor.
Yung, Bell, Contributor.
Yung, Bell, Editor.
Language:
English
Physical Description:
1 online resource (340 p.)
Place of Publication:
Stanford, CA : Stanford University Press, [2022]
Language Note:
In English.
Summary:
This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.
Contents:
Frontmatter
Acknowledgments
Contents
Tables, Maps, and Figures
Contributors
Introduction
1. The Nature of Chinese Ritual Sound
Part I: Behind the Scenes: Creating Legitimacy
2. Ritual and Musical Politics in the Court of Ming Shizong
3. State Sacrificial Music and Korean Identity
4. Musical Assertion of Status Among the Naxi of Lijiang County, Yunnan
Part II: Musical Transformations: Rites of Passage
5. Chinese Bridal Laments: The Claims of a Dutiful Daughter
6. Processional Music in Traditional Taiwanese Funerals
7. The Creation of an Emperor in Eighteenth-Century China
Part III: Musical Transcendence: Rituals of Propitiation
8. Singing to the Spirits of the Dead: A Daoist Ritual of Salvation
9. Ritual Opera and the Bonds of Authority: Transformation and Transcendence
Reference Matter
Notes
Works Cited
Index-Glossary
Notes:
Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
ISBN:
0-8047-6490-5
OCLC:
1294424990

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