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Historical Representation / F. R. Ankersmit.

De Gruyter Stanford University Press Backlist eBook-Package 2000-2013 Available online

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Format:
Book
Author/Creator:
Ankersmit, F. R., Author.
Series:
Cultural Memory in the Present
Language:
English
Physical Description:
1 online resource (336 p.)
Place of Publication:
Stanford, CA : Stanford University Press, [2022]
Language Note:
In English.
Summary:
This book fully recognizes the aestheticism inherent in historical writing while acknowledging its claim to satisfy the demands of rational and scientific inquiry. Focusing on the notion of representation and on the necessity of distinguishing between representation and description, it argues that the traditional semantic apparatus of meaning, truth, and reference that we use for description must be redefined if we are to understand properly the nature of historical writing. The author shows that historical representation is essentially aesthetic, though its adequacy can be discussed rationally. He defines the criteria for representational adequacy, and examines the relationship between these criteria and value judgments. He also investigates the historicist conception of historical writing and the notions of identity and narrativity. This investigation takes place against the backdrop of the ideas of four of the most influential contemporary historical theorists: Erich Auerbach, Arthur Danto, Hayden White, and Jörn Rüsen. The book aims to identify and to explore for historical theory the juste milieu between the extravagances of the literary approach to historical writing and the narrow-mindedness of empiricists. The search for this juste milieu leads to a rationalist aesthetics of historical writing, a position that repeats both the aesthetic dimension of all historical writing and the criteria defining the rationality of the discipline of history.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction
Part I. Historical Theory
1. The Linguistic Turn: Literary Theory and Historical Theory
2. In Praise of Subjectivity
Part II. Historical Consciousness
3. Gibbon and Ovid: History as Metamorphosis
4. The Dialectics of Narrativist Historism
5. The Postmodernist “Privatization” of the Past
6. Remembering the Holocaust: Mourning and Melancholia
Part III. Theorists
7. Why Realism? Auerbach on the Representation of Reality
8. Danto on Representation, Identity, and Indiscernibles
9. Hayden White’s Appeal to the Historians
10. Rüsen on History and Politics
Epilogue
Notes
Index
Notes:
Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
ISBN:
1-5036-1902-8
OCLC:
1294424536

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