Chinatown Film Culture : The Appearance of Cinema in San Francisco’s Chinese Neighborhood / Kim K. Fahlstedt.

Format:

Book

Author/Creator:

Fahlstedt, Kim K., Author.

Language:

English

Subjects (All):

Chinese in motion pictures.

Chinese--California--San Francisco--Social life and customs.

Chinese.

Motion picture audiences--California--San Francisco--History.

Motion picture audiences.

Motion picture theaters--California--San Francisco--History.

Motion picture theaters.

Motion pictures--Social aspects--California--San Francisco.

Motion pictures.

Physical Description:

1 online resource (252 p.) : 22 b&w images, 3 tables

Place of Publication:

New Brunswick, NJ : Rutgers University Press, [2020]

Language Note:

In English.

Summary:

Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.

Contents:

Frontmatter

Contents

Preface

Introduction

1. Bold Visions and Frontier Conditions: The Emergence of Film in San Francisco

2. “If I Had the Power to Do So I Would Destroy Them with My Own Hands”: Film and Politics in Post-quake San Francisco

3. “The Most Cosmopolitan City in the World”: Chinese San Francisco at the Turn of the Twentieth Century

4. “Eyes Darting Around, Spirit Dashing About”: Mapping Chinatown Film Culture, 1906–1915

5. The Chinesque Aesthetic: Orientalist Stereotypes in Post-quake Film Culture

6. “Where the People Aren’t All American”: Chinatown Audiences and Spectators

7. Chinatown Modernity: Revolutions and Movie Theaters

8. Trajectories and Concluding Remarks

Acknowledgments

Notes

Bibliography

Index

About the Author

Notes:

Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020)

ISBN:

1-9788-0444-X

OCLC:

1176360457