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Reading Myth : Classical Mythology and Its Interpretations in Medieval French Literature / Renate Blumenfeld-Kosinski.

De Gruyter Stanford University Press eBook-Package Archive Pre-2000 Available online

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Format:
Book
Author/Creator:
Blumenfeld-Kosinski, Renate, Author.
Series:
Figurae: Reading Medieval Culture
Language:
English
Physical Description:
1 online resource (328 p.)
Place of Publication:
Stanford, CA : Stanford University Press, [2022]
Language Note:
In English.
Summary:
This book explores the appropriation and transformation of classical mythology by French culture from the mid-twelfth century to about 1430. Each of the five chapters focuses on a specific moment in this process and asks: What were the purposes of transforming classical myth? Which techniques did poets use to integrate classical subject matter into their own texts? Was a special interpretive tradition created for vernacular texts? In Chapter 1, the author shows how Latin epic texts were reoriented for political purposes in the twelfth-century Anglo-Norman realm, gaining new depth by the addition of Ovidian elements that evoked threats of a disorder different from the struggles of classical epic. Chapter 2 analyzes the complex use of myth in the thirteenth-century Roman de la Rose, which offers new conjunctions and interpretations of myths related to language, artistic expression, and sexuality. Chapter 3 focuses on the interpretive techniques and vocabulary of the fourteenth-century Ovide moralisé, such as "allegory," "fable," and istoire, arguing that the Christianization of the Metamorphoses created a "new Ovid" in the form of a fourteenth-century friar. Chapter 4 reveals that, although Guillaume de Machaut questioned the usefulness of mythic fables, he turned to them to invoke artistic consolation and ward off threats to his poetic voice. It also describes how Jean Froissart produced new myths by combining existing fables with newly invented elements in an attempt to dramatize the poetic creativity of his age. Finally, Chapter 5 demonstrates how Christine de Pizan offered the full range of medieval possibilities for myth: playing with the mythographic tradition, inscribing herself into Ovidian myths, offering historical explanations, rewriting myths from a pro-woman stance, and finally creating mythic universes of her own.
Contents:
Frontmatter
Acknowledgments
Contents
Introduction
Chapter 1 Reading Classical Mythology in the Romances of Antiquity
Chapter 2 The Myths of the Roman de la Rose
Chapter 3 The Hermeneutics of the Ovide moralisé
Chapter 4 Myth and Fiction in the Dits of Machaut and Froissart
Chapter 5 Christine de Pizan: Mythographer and Mythmaker
Conclusion
Notes
Bibliography
Index
Notes:
Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
ISBN:
0-8047-6505-7
OCLC:
1294423765

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