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Modern Chinese Literary Thought : Writings on Literature, 1893-1945 / ed. by Kirk A. Denton.

De Gruyter Stanford University Press eBook-Package Archive Pre-2000 Available online

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Format:
Book
Contributor:
Ailing, Zhang, Contributor.
Congwen, Shen, Contributor.
Dafu, Yu, Contributor.
Denton, Kirk A., Contributor.
Denton, Kirk A., Editor.
Dun, Mao, Contributor.
Dungen, Wang, Contributor.
Duxiu, Chen, Contributor.
Fangwu, Cheng, Contributor.
Feng, Hu, Contributor.
Guangdi, Mei, Contributor.
Guangqian, Zhu, Contributor.
Wang, Guowei, Contributor.
Jinfa, Li, Contributor.
Ling, Ding, Contributor.
Moruo, Guo, Contributor.
Qichao, Liang, Contributor.
Qiubai, Qu, Contributor.
Qiuyuan, Hu, Contributor.
Shengtao, Ye, Contributor.
Shi, Hu, Contributor.
Shipei, Liu, Contributor.
Shiqiu, Liang, Contributor.
Shiying, Mu, Contributor.
Shoujuan, Zhou, Contributor.
Shu, Lin, Contributor.
Wangshu, Dai, Contributor.
Wen, Su, Contributor.
Xin, Bing, Contributor.
Xingcun, Qian, Contributor.
Xun, Lu, Contributor.
Yang, Zhou, Contributor.
Yiduo, Wen, Contributor.
Yin, Lu, Contributor.
Yuanpei, Cai, Contributor.
Zedong, Mao, Contributor.
Zhimo, Xu, Contributor.
Zhongshu, Qian, Contributor.
Zunxian, Huang, Contributor.
Zuoren, Zhou, Contributor.
Language:
English
Physical Description:
1 online resource (572 p.)
Place of Publication:
Stanford, CA : Stanford University Press, [2022]
Language Note:
In English.
Summary:
This volume presents a broad range of writings on literature from the period of the inception of literary modernity in China. Of the 55 essays included, 47 are translated here for the first time, including two essays by Lu Xun. In addition to the selections themselves, the author has provided, in an extensive General Introduction and shorter introductions to the five parts of the book, historical background, a synthesis of current scholarship on modern views of Chinese literature, and an original thesis on the complex formation of Chinese literary modernity. In the author's view, literary discourses were actively reshaped by Chinese writes and critics as responses to deep-set cultural problematics and the socio-historical imperative of the times. The selection of the essays reflects both the mainstream Marxists interpretation of the literary values of modern China and the marginalized views proscribed, at one time or another, by the leftist canon. With both the canonical and the marginal, this collection offers a full spectrum of modern Chinese perceptions of fundamental literary issues: the nature of the creative act; the relationship between the literary text and reality; the moral, social, and political role of literature; and the filiation of language, literary form, and content. In presenting the Western reading with a Chinese discourse (in the more traditional sense of the term) about literature, the editor attempts to construct a cultural context for the production of texts in modern Chinese literature. Why did modern Chinese writers write? What goals did they have? How did they think about literature and its relation to its audience and the world? To read the response to these questions is to deepen our understanding of the experience of modernity that lies at the root of works of modern Chinese literature. The selections were translated by 33 leading scholars in the field of modern Chinese literature.
Contents:
Frontmatter
Preface
Contents
General Introduction
PART 1: THE LATE QING PERIOD, 1893-1911
Introduction
1 Preface to Poems from the Hut in the Human World
2 Foreword to the Publication of Political Novels in Translation
3 On the Relationship Between Fiction and the Government of the People
4 Preface to Oliver Twist
5 Preface to Part One of David Copperfield
6 Miscellaneous Notes on Literature (excerpts)
7 Incidental Remarks on Literature
8 On the Power of Mara Poetry
PART II: THE MAY FOURTH PERIOD, 1915-1925
9 Some Modest Proposals for the Reform of Literature
10 On Literary Revolution
11 Nightmare
12 Humane Literature
13 On the Literary Arts (excerpts)
14 Art and Life
15 Replacing Religion with Aesthetic Education
16 Literature and Life
17 On Photography
18 Preface to The Sorrows of Young Werther
19 Fusing with Nature
20 A Critique of the New Culturists
21 Women and Literature
22 On "Literary Criticism"
23 My Opinions on Creativity
24 Preface to Call to Arms
25 Remarks on the Publication of Saturday
26 Congratulations to Happy Magazine
27 The Mission of the New Literature
PART III: REVOLUTIONARY LITERATURE, 1923-1930
28 Class Struggle in Literature
29 From a Literary Revolution to a Revolutionary Literature
30 The Bygone Age of Ah Q
31 On Reading Ni Huanzhi
32 Literature and Revolution
33 Dai Wangshu's Poetic Theory
34 Form in Poetry
35 The Divergence of Art and Politics
36 Thoughts on Realism
37 Realism: A "Correction"
PART IV: THE DEBATE ON LITERARY FREEDOM, 1932-1935
38 Do Not Encroach Upon Literary Art
39 Regarding the Literary News and Hu Qiuyuan's Literary Arguments
40 Freedom for Literature but Not the Writer
41 On the "Third Category"
42 Preface to Public Cemetery
43 A Record of My Own Inspiration
44 Literature and Life
PART V: THE PERIOD OF NATIONAL CRISIS, 1936-1945
45 On National Defense Literature
46 What Do the Broad Masses Demand of Literature?
47 The Question of Popular Literature and Art
48 Excerpts from Mao Zedong
49 Literature and Art for the Masses and the Use of Traditional Forms
50 My Writing
51 On Writers
52 Universal or Restricted?
53 We Need the Zawen Essay
54 Talks at the Yan'an Forum on Literature and Art
55 Realism Today
Reference Matter
Glossary
Bibliography
Translators
Index
Notes:
Description based on online resource; title from PDF title page (publisher's Web site, viewed 31. Jan 2022)
ISBN:
1-5036-1583-9
OCLC:
1294424430

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