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Teaching Music Performance in Higher Education : Exploring the Potential of Artistic Research / Open Book Publishers.

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Format:
Book
Author/Creator:
Open Book Publishers, author, issuing body.
Language:
English
Subjects (All):
Education, Higher.
Physical Description:
1 online resource
Edition:
1st ed.
Place of Publication:
Cambridge : Open Book Publishers, 2024.
Summary:
Higher Music Performance Education, as taught and learned in universities and conservatoires in Europe, is undergoing transformation. Since the nineteenth century, the master-apprentice pedagogical model has dominated, creating a learning environment that emphasises the development of technical skills rather than critical and creative faculties. This book contributes to the renewal of this field by being the first to address the potential of artistic research in developing student-centred approaches and greater student autonomy. This potential is demonstrated in chapters illustrating artistic research projects that are embedded within higher music education courses across Europe, with examples ranging from instrumental tuition and ensemble work to the development of professional employability skills and inclusive practices. Bringing together diverse and experienced voices working within Higher Music Education but often also as professional performers, this edited collection pairs critical reflection with artistic insight to present new approaches to curricula for teaching interpretation and performance. It calls for greater collaboration between Higher Education and professional music institutions to create closer bonds with music industries and, thereby, improve students' career opportunities. Teaching Music Performance in Higher Education will appeal to scholars, performers, teachers, but also students whose interests centre on innovative practices in conservatoires and music departments.
Contents:
Intro
Acknowledgements
Introduction
Helen Julia Minors, Stefan O¨stersjo¨, Gilvano Dalagna, and Jorge Salgado Correia
PART I
ARTISTIC RESEARCH IN HIGHER MUSIC EDUCATION
Introduction to Part I
Stefan O¨stersjo¨
1. A Swedish Perspective on Artistic Research Practices in First and Second Cycle Education in Music
Stefan O¨stersjo¨ and Carl Holmgren with A°sa Unander-Scharin
2. Experimentation as a Learning Method: A Case Study Exploring Affordances of a Musical Instrument
Fausto Pizzol 3. Finding Voice: Developing Student Autonomy from Imitation to Performer Agency
Mikael Ba¨ckman
4. Teaching Musical Performance from an Artistic Research-Based Approach: Reporting on a Pedagogical Intervention in Portugal
Gilvano Dalagna
Jorge S. Correia
Clarissa Foletto
Ioulia Papageorgi
Part II
Novel Approaches to Teaching Interpretation and Performance
Introduction to Part II
5. Artistic Practice as Embodied Learning: Reconnecting Pedagogy, Improvisation, and Composition
Robert Sholl 6. Working Together Well: Amplifying Group Agency and Motivation in Higher Music Education
Jacob Thompson-Bell
7. Score-Based Learning and Improvisation in Classical Music Performance
Mariam Kharatyan
8. Intercultural Musicking: Reflection in, on, and for Situated Klezmer Ensemble Performance
Richard Fay, Daniel J. Mawson, and Nahielly Palacios
Part III
Challenges and Opportunities of Music Performance Education in Society
Introduction to Part III
Helen Julia Minors
9. The Musical Object in Deep Learning
Odd Torleiv Furnes 10. Rethinking Music Performance Education Through the Lens of Today's Society
Randi Margrethe Eidsaa and Mariam Kharatyan
11. Experience, Understanding and Intercultural Competence: The Ethno Programme
Sarah-Jane Gibson
12. Employability Skills within an Inclusive Undergraduate and Postgraduate Performance Curriculum in the UK
13. Conclusion: Probing, Positioning, (Re)Acting
Helen Julia Minors and Stefan O¨stersjo¨
About the Contributors
List of Figures
List of Tables
List of Audio and Video Musical Examples
Index.
Notes:
Description based on publisher supplied metadata and other sources.
Includes bibliographical references.
ISBN:
1-80511-273-2
1-80511-274-0
OCLC:
1451846515

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