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Hugo Wolf : The Vocal Music / Susan Youens.

De Gruyter Princeton University Press eBook Package Archive 1927-1999 Available online

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Format:
Book
Author/Creator:
Youens, Susan, author.
Language:
English
Subjects (All):
Vocal music--19th century--History and criticism.
Vocal music.
Wolf, Hugo, 1860-1903. Vocal music.
Wolf, Hugo.
Physical Description:
1 online resource (406 pages)
Edition:
First edition.
Place of Publication:
Princeton, New Jersey : Princeton University Press, [1992]
Summary:
A groundbreaking look at one of the great song composers of the late Romantic period. In the virtual cottage industry of works on fin de siècle Vienna, Hugo Wolf (1860-1903) has been somewhat neglected, perhaps because he was the master of a small genre-the late Romantic lied-and never truly made his mark in the larger forms that command greater public attention. But in the realm of song, he is among the greatest inheritors of Schubert and Schumann, one who was both a traditionalist and a modernist. When the Viennese critic Eduard Hanslick disapprovingly dubbed Wolf "the Richard Wagner of the lied," he was paying oblique homage to Wolf's genius as a song composer in the most modern manner. In this book, Susan Youens examines five aspects of Wolf's compositional art, each exemplifying a different synthesis of traditionalism and modernity and spanning his entire, tragically brief creative life, from his first efforts to his lapse into insanity in 1897. She discusses Wolf's youthful imitations of Schumann, his genius for comic songs of a kind unlike any of his predecessors, his part in the ballad revival of the late nineteenth century, Wolf in relation to his contemporaries, and his pursuit of operatic fame. Youens looks as closely at the poetic texts as she does the music and includes numerous previously unpublished sketches and fragments, examples from songs now long out of print and difficult to obtain, and citations from Wolf's vivid letters and other sources of the period.
Contents:
Cover
Half-title
Title
Copyright
Contents
Examples and Figures
Preface and Acknowledgments
Chapter 1: "Too Much Like Schumann": The Apprenticeship of a Lieder Composer
Chapter 2: Of Wolf, Freud, and Humor in Music
Chapter 3: Influence without Anxiety: Wolf and the Ballad Tradition
Chapter 4: A Spanish Tale: Wolf and the Lied after 1850
Chapter 5: Wolf and the Dream of Opera
Notes
Select Bibliography
Index.
Notes:
Description based on publisher supplied metadata and other sources.
Includes bibliographical references and index.
Description based on print version record.
Other Format:
Print version: Youens, Susan Hugo Wolf
ISBN:
0-691-26501-1

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