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Programming the absolute : nineteenth-century German music and the hermaeutics of the moment / Berthold Hoeckner.

De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 Available online

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Format:
Book
Author/Creator:
Hoeckner, Berthold, author.
Contributor:
Princeton University Press, Publisher.
Language:
English
Subjects (All):
Absolute music.
Aesthetics.
Physical Description:
1 online resource (370 pages)
Place of Publication:
Princeton, New Jersey ; Oxford : Princeton University Press, [2002]
Summary:
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced.
Contents:
Frontmatter
Contents
List of Figures and Table
List of Example
Preface
Introduction. MUSICAL MOMENTS AND THE MOMENT OF GERMAN MUSIC
Chapter One. BEETHOVEN'S STAR
Chapter Two. SCHUMANN'S DISTANCE
Chapter Three. ELSA'S SCREAM
Chapter Four. LISZT'S PRAYER
Chapter Five. SCHOENBERG'S GAZE
Chapter Six. ECHO'S EYES
Notes
Bibliography
Index
Notes:
Zawiera nuty.
Description based on print version record.
ISBN:
9780691227566
069122756X
OCLC:
1239984974

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