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The Novel Art Elevations of American Fiction after Henry James / Mark McGurl.

De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 Available online

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Format:
Book
Author/Creator:
McGurl, Mark, 1966- Author.
Language:
English
Subjects (All):
James, Henry, 1843-1916--Influence.
James, Henry.
Physical Description:
1 online resource (viii, 221 pages) : illustrations
Place of Publication:
Princeton, New Jersey ; Oxford : Princeton University Press, [2001]
Language Note:
In English.
Summary:
Once upon a time there were good American novels and bad ones, but none was thought of as a work of art. The Novel Art tells the story of how, beginning with Henry James, this began to change. Examining the late-nineteenth century movement to elevate the status of the novel, its sources, paradoxes, and reverberations into the twentieth century, Mark McGurl presents a more coherent and wide-ranging account of the development of American modernist fiction than ever before. Moving deftly from James to Stephen Crane, Edith Wharton, Gertrude Stein, William Faulkner, Dashiell Hammett, and Djuna Barnes among others, McGurl argues that what unifies this diverse group of ambitious writers is their agonized relation to a middling genre rarely included in discussions of the fine arts. He concludes that the new product, despite its authors' desire to distinguish it from popular forms, never quite forsook the intimacy the genre had long cultivated with the common reader. Indeed, the ''art novel'' sought status within the mass market, and among its prime strategies was a promotion of the mind as a source of value in an economy increasingly dependent on mental labor. McGurl also shows how modernism's obsessive interest in simple-mindedness revealed a continued concern with the masses even as it attempted to use this simplicity to produce a heightened sophistication of form. Masterfully argued and set in elegant prose, The Novel Art provides a rich new understanding of the fascinating road the American novel has taken from being an artless enterprise to an aesthetic one.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction. The Rise of the Art-Novel and the Question of Glass
One. The Mind's Eye and Mental Labor: Forms of Distinction in the Fiction of Henry James
Two. Social Geometries: Taking Place in the Jamesian Modernist Text
Three. Downward Mobilities: The Prison of the Womb and the Architecture of Career in Stephen Crane
Four. Highbrows and Dumb Blondes: Literary Intellectuals and the Romance of Intelligence
Five. Faulkner s Ambit: Modernism, Regionalism, and the Location of Cultural Capital
Six. Making "Literature" of It: Dashiell Hammett and the Mysteries of High Culture
Afterword. Mobius Fictions
Notes
Index
Notes:
Includes bibliographical references (pages [183]-213) and index.
Description based on print version record.
ISBN:
9780691088990
0691088993
9780691214832
0691214832
OCLC:
1227051177

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