My Account Log in

1 option

Deleuze and music / edited by Ian Buchanan and Marcel Swiboda.

De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 Available online

View online
Format:
Book
Author/Creator:
Buchanan, Ian, Author.
Contributor:
Buchanan, Ian, 1969- editor.
Swiboda, Marcel, editor.
Series:
Deleuze Connections : DECO
Language:
English
Subjects (All):
Deleuze, Gilles, 1925-1995.
Deleuze, Gilles.
Music and philosophy.
Music--Philosophy and aesthetics.
Music.
Physical Description:
1 online resource (vi, 223 pages)
Place of Publication:
Edinburgh : Edinburgh University Press, 2008.
Summary:
GBS_insertPreviewButtonPopup('ISBN:9780748618699);What would a Deleuzian music philosophy be like? For Deleuze, music informed his work on several levels. He did not merely write about music, it formed part of his thinking. Deleuze and Music is the first volume to explore Deleuze's ideas from the perspective of music and sound. Music is central to Deleuze's work from Difference and Repetition and the Logic of Sense to Kafka: Towards a Minor Literature and A Thousand Plateaus (both written with Félix Guattari), music and sound-based problems contribute a great deal to the originality and singularity of his thought.The essays in this volume explore a variety of these problems and their relevance to key debates in a number of areas including ethics, aesthetics, politics, epistemology and the history of ideas. They collectively demonstrate how music functions in Deleuze's work, exploring how at key stages in his thought ideas of melody, rhythm, harmony, counterpoint and the refrain provide the frame of reference for his immanent ontology, his Spinozist ethology and his (and Guattari's) politics of the 'people yet to come'. Furthermore, they show how music proves the exemplary medium for further exploring and developing his 'rhizomatic' conception of thought. The volume provides a much-needed addition to the growing body of secondary work on Deleuze and will be of interest to students and researchers working across a diverse range of disiciplines, including philosophy and cultural and critical theory as well as art history, musicology and ethnomusicology.FeaturesThe first book on Deleuze in relation to music covering all of the key Deleuzian textsCovers different types of music, jazz, pop music, electronic music, heavy metal and improvised musicDemonstrate how music functions in Deleuze's work, exploring how ideas of melody, rhythm, harmony, counterpoint and the refrain shape his philosophical thinking."
Contents:
Frontmatter
Contents
Introduction: Deleuze and Music
Chapter 1 Studies in Applied Nomadology: Jazz Improvisation and Post-Capitalist Markets
Chapter 2 Is Pop Music?
Chapter 3 Deleuze, Adorno and the Composition of Musical Multiplicity
Chapter 4 Affect and Individuation in Popular Electronic Music
Chapter 5 Violence in Three Shades of Metal: Death, Doom and Black
Chapter 6 Becoming-Music: The Rhizomatic Moment of Improvisation
Chapter 7 Rhythm: Assemblage and Event
Chapter 8 What I Hear is Thinking Too: The Deleuze Tribute Recordings
Chapter 9 Music and the Socio-Historical Real: Rhythm, Series and Critique in Deleuze and O. Revault d'Allonnes
Chapter 10 Cosmic Strategies: The Electric Experiments of Miles Davis
Notes on Contributors
Index
Notes:
Includes index.
Description based on print version record.
ISBN:
9781474465489
147446548X

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account