My Account Log in

1 option

Being in contact : encountering a bare body / Mariella Greil.

De Gruyter DG Plus DeG Package 2021 Part 1 Available online

View online
Format:
Book
Author/Creator:
Greil, Mariella, author.
Series:
Edition Die Angewandte, University Press
Edition Angewandte ; 1866-248X
Language:
English
Subjects (All):
Performance art.
Human figure in art.
Nudity in dance.
Physical Description:
1 online resource (364 pages) : illustrations (some colour), facsimiles, portraits.
Place of Publication:
Berlin, Germany : De Gruyter, [2021]
Language Note:
In English.
Summary:
This choreographed book is dedicated to the phenomenon of the bare body in contemporary performance. This work of artistic research draws on philosophical, biopolitical, and ethical discourses relevant to the appearance of bare bodies in choreography, setting a framework for a reflexive movement between affect and ethics, sensuous address and response. Acts of exposure and concealment are culturally situated and anchored, and are examined for their methodological and nanopolitical significance. The concepts of anarchic responsibility and choreo-ethics lead to a reevaluation of contact, relationship, and solidarity. Choreography is thus understood as a complex field of revelatory experiences based on ecologies of aesthetic perception and ethico-political agency.
Dieses choreografierte Buch widmet sich dem Phänomen des bloßen Körpers in der zeitgenössischen Performance. Die künstlerische Forschung stützt sich dabei auf einen philosophischen, biopolitischen und ethischen Diskurs, der für die Erscheinung bloßer Körper in der choreografischen Arbeit relevant ist und der einen Rahmen setzt für eine reflexive Bewegung zwischen Affekt und Ethik, sinnlicher Ansprache und Response. Entblößungs- und Verschleierungshandlungen werden dabei kulturell verankert und in ihrer methodischen und nanopolitischen Bedeutung untersucht. Die Konzepte anarchische Verantwortung und Choreo-Ethik führen zu einer Neubewertung von Kontakt, Beziehung und Solidarität. Choreografie wird so als komplexes Feld von Offenbarungen verstanden, das auf Ökologien von Wahrnehmung und Handlungsfreiheit beruht.
Contents:
Frontmatter
TABLE OF CONTENTS
PREFACE
Introduction
Overview: Mapping and Navigation
Prelude: Plurality and the Choreographic
Subject and Method: Partial Enunciators and Togetherness
ENCOUNTER, AFFECT AND RESPONSE
Between My Body and the Body of the Other
Decolonising Practices and Solidarity
An-Archic Responsibility
CONTACT, REVELATION AND EPIPHANIES
Figures - Methods - Practices of Being in Contact
From Revelations to Disclosures, from Epiphanies to Veils
Approach, Aspiration and Experiencing the Gap
BARE BODIES
The Triplet Naked-Nude-Bare: Tones and Shades
Nudities - Reproached or Re-Approached?
Towards the Bare Democratic
Exposition: Mining the Deep Surfaces of Bare Bodies
BEING AND BECOMING
Being Human and Choreo-Ethical Praxis
Immanent Being: Between Poiesis and Poetics
PROVOCATION
The Power of Non-, Not-, Un-Doing
Defacement and Anti-Authorship
Expanded Choreography: Terms and Conditions
A RELATIONAL MOVEMENT: CONCLUSION
Bibliography
Appendices
Human Index
The Author
Acknowledgements
Imprint
Notes:
Includes bibliographical references and index
Description based on print version record.
ISBN:
3-11-073598-9
9783110735987
OCLC:
1263870813

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account