Monsters and Monstrosity : From the Canon to the Anti-Canon: Literary and Juridical Subversions / Daniela Carpi.

Format:

Book

Contributor:

Carpi, Daniela, Editor.

Walter de Gruyter & Co.

Series:

Law & literature (De Gruyter) ; Volume 16.

Law & Literature ; 16

Language:

English

Subjects (All):

Monsters in literature.

Monsters--Social aspects.

Monsters.

Physical Description:

1 online resource (VI, 301 p.)

Place of Publication:

Berlin ; Boston : De Gruyter, [2019]

Language Note:

In English.

Summary:

Every culture knows the phenomenon of monsters, terrifying creatures that represent complete alterity and challenge every basic notion of self and identity within a cultural paradigm. In Latin and Greek culture, the monster was created as a marvel, appearing as something which, like transgression itself, did not belong to the assumed natural order of things. Therefore, it could only be created by a divinity responsible for its creation, composition, goals and stability, but it was triggered by some in- or non-human action performed by humans. The identification of something as monstrous denotes its place outside and beyond social norms and values. The monster-evoking transgression is most often indistinguishable from reactions to the experience of otherness, merging the limits of humanity with the limits of a given culture. The topic entails a large intersection among the cultural domains of law, literature, philosophy, anthropology, and technology. Monstrosity has indeed become a necessary condition of our existence in the 21st century: it serves as a representation of change itself. In the process of analysis there are three theoretical approaches: psychoanalytical, representational, ontological. The volume therefore aims at examining the concept of monstrosity from three main perspectives: technophobic, xenophobic, superdiversity. Today's globalized world is shaped in the unprecedented phenomenon of international migration. The resistance to this phenomenon causes the demonization of the Other, seen as the antagonist and the monster. The monster becomes therefore the ethnic Other, the alien. To reach this new perspective on monstrosity we must start by examining the many facets of monstrosity, also diachronically: from the philological origin of the term to the Roman and classical viewpoint, from the Renaissance medical perspective to the religious background, from the new filmic exploitations in the 20th and 21st centuries to the very recent ethnological and anthropological points of view, to the latest technological perspective , dealing with artificial intelligence.

Contents:

Frontmatter

Contents

Introduction: What Is a Monster?

The Monster's Mystique: Managing a State of Bionormative Liminality and Exception

Monsters and Human Solitude

Sew It up in the Sack and Merge It into Running Waters! Parricidium and Monstrosity in Roman Law

The Technological "Monstrum": Her by Spike Jontze (2013)

Monstrosity and Alterity in H.G. Wells's The Island of Dr. Moreau

Patriarchal Law and the Ethics and Aesthetics of Monstrosity in Mary Shelley's Frankenstein

Victorian Frankenstein: From Fiction to Science

Exposed: Dispossession and Androgyny in Contemporary British Fiction

Who Is the Monster? Laughing at Friends and Foes

The Monster as a Denial of Difference: A Legal Approach to Kafka's Metamorphosis

"The Sleep of Reason Brings Forth Monsters": Tim O'Brien's In the Lake of the Woods

Southern Gothic: The Monster as Freak in the Fiction of Flannery O'Connor

Kafka's Trial and the EU Dublin Asylum System

Monstrosity "Overseas"? Civilisation, Trade, and Colonial Policy in Conrad's African Tales

Harry Potter and Monstrous Diversity: The Brexit Case

From Me, Martin, the Five-Pawed Bear, A Letter to My Judges

Monsters and Criminal Law

Contributors

Index

Notes:

Includes bibliographical index.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)

ISBN:

9783110654615

311065461X

9783110653588

3110653583

OCLC:

1107796908