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Making the fascist self : the political culture of interwar Italy / Mabel Berezin.

De Gruyter Cornell University Press eBook Package Archive Pre-2000 Available online

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Format:
Book
Author/Creator:
Berezin, Mabel, author.
Series:
The Wilder House Series in Politics, History and Culture Series
The Wilder House series in politics, history, and culture
Language:
English
Subjects (All):
Mussolini, Benito, 1883-1945--Influence.
Fascism and culture--Italy--History.
Fascism and culture.
Fascism--Italy--History.
Fascism.
Symbolism in politics--Italy--History.
Symbolism in politics.
Italy--Politics and government--1922-1945.
Italy.
Physical Description:
1 online resource : 15 halftones; 1 map; 5 graphs; 4 tables.
Edition:
1st ed.
Place of Publication:
Ithaca, NY : Cornell University Press, [2018]
Language Note:
In English.
Summary:
In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities.The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities.In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works.
Contents:
Introduction: Post-Fascism/Fascism: Italy I994/I922
1. Interpreting Fascism/Explaining Ritual
2. Imagining a New Political Community: The Landscape of Ritual Action
3. Convergence and Commemoration: Reenacting the March on Rome
4. The Evolution of Ritual Genres: The March Continues
5. Colonizing Time: Rhythms of Fascist Ritual in Verona
6. Dead Bodies and Live Voices: Locating the Fascist Self
Conclusion: Fascism/Identity /Ritual
Methodological Appendix.
Notes:
Includes index.
Description based on online resource; title from PDF title page (publisher's website, viewed September 20, 2019).
Description based on publisher supplied metadata and other sources.
ISBN:
9780801432026
0801432022
9781501722141
150172214X
OCLC:
1083589370

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