Distracted Subjects : Madness and Gender in Shakespeare and Early Modern Culture / Carol Thomas Neely.

Format:

Book

Author/Creator:

Neely, Carol Thomas, author.

Language:

English

Subjects (All):

Shakespeare, William, 1564-1616--Knowledge--Psychology.

Shakespeare, William, 1564-1616--Characters--Mentally ill.

Sex role in literature.

Mentally ill in literature.

Mental illness in literature.

Psychoanalysis and literature--England.

Psychoanalysis and literature.

Literature and mental illness--England.

Literature and mental illness.

Mental illness--England--History--17th century.

Mental illness.

Mental illness--England--History--16th century.

Genre:

Electronic books.

Physical Description:

1 online resource (xiii, 244 p. :) ill. ;

Edition:

1st ed.

Place of Publication:

Ithaca, NY : Cornell University Press, [2018]

Language Note:

In English.

Summary:

In the first book to provide a feminist analysis of early modern madness, Carol Thomas Neely reveals the mobility and heterogeneity of discourses of "distraction," the most common term for the condition in late-sixteenth- and early seventeenth-century England. Distracted Subjects shows how changing ideas of madness that circulated through medical, dramatic, and political texts transformed and gendered subjectivities. Supernatural causation is denied, new diagnoses appear, and stage representations proliferate. Drama sometimes leads and sometimes follows other cultural discourses-or forges its own prophetic figures of distraction. The Spanish Tragedy first links madness to masculine tragic self-representation, and Hamlet invents a language to dramatize feminine somatic illness. Innovative women's melancholy is theorized in medical and witchcraft treatises and then elaborated in the extended portrait of the Jailer's Daughter's distraction in The Two Noble Kinsmen. Lovesickness, newly diagnosed in women, demands novel cures, and allows expressions of transgressive sexual desire in treatises and in plays such as As You Like It. The rituals of possession and exorcism, intensely debated off stage, are mocked and exploited on stage in reiterated comic scenes of confinement that madden men to enhance women's power.Neely's final chapter provides a startling challenge to the critically alluring analogy between Bedlam and the early modern stage by documenting that Bethlem hospital offered care, not spectacle, whereas stage Bedlamites served metatheatrical and prophylactic, not mimetic, ends. An epilogue places this particular historical moment within the longer history of madness and shows how our own attitudes toward distraction are haunted by those earlier debates and representations.

Contents:

Frontmatter

CONTENTS

ILLUSTRATIONS

ACKNOWLEDGMENTS

BIBLIOGRAPHICAL NOTE

INTRODUCTION: Divisions in the Discourses of Distraction

CHAPTER 1. Initiating Madness Onstage: Gammer Gurton's Needle and The Spanish Tragedy

CHAPTER 2. Reading the Language of Distraction: Hamlet, Macbeth, King Lear

CHAPTER 3. Diagnosing Women's Melancholy: Case Histories and the Jailer's Daughter's Cure in The Two Noble Kinsmen

CHAPTER 4· Destabilizing Lovesickness, Gender, and Sexuality:Twelfth Night and As You Like It

CHAPTER 5. Confining Madmen and Transgressing Boundaries:The Comedy of Errors, The Merry Wives of Windsor, and Twelfth Night

CHAPTER 6. Rethinking Confinement in Early Modern England: The Place of Bedlam in History and Drama

EPILOGUE: Then and Now

WORKS CITED

INDEX

Notes:

Includes bibliographical references (p. 219-235) and index.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Sep 2019)

Description based on publisher supplied metadata and other sources.

ISBN:

9781501729133

1501729136

OCLC:

1080549390