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Osmin's Rage : Philosophical Reflections on Opera, Drama, and Text / Peter Kivy.

De Gruyter Cornell University Press eBook Package Archive Pre-2000 Available online

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Format:
Book
Author/Creator:
Kivy, Peter, Author.
Language:
English
Subjects (All):
Music--Philosophy and aesthetics.
Music.
Opera.
Genre:
Electronic books.
Physical Description:
1 online resource (xiii, 317 p. :) ill., music ;
Edition:
1st ed.
Place of Publication:
Ithaca, NY : Cornell University Press, [2018]
Language Note:
In English.
Summary:
In his new concluding chapter, Peter Kivy advances his argument on behalf of a distinctive intellectual and musical character of opera before Mozart. He proposes that happy endings were a musical-as opposed to a dramatic-necessity for opera during this period and that Mozart's Idomeneo is properly enjoyed and judged only when listeners are attuned to its seventeenth and eighteenth-century forebears.
Contents:
Frontmatter
CONTENTS
Preface to the Cornell Paperbacks Edition
Preface
Acknowledgments
PART I: POSING THE PROBLEM
I. Ecstasy and prophecy
II. The art of invention: opera as invented art
III. Enter Philosophy (in Classical attire)
IV. The musical parameters
V. Enter Orpheus (Philosophy attending)
PART II: SOLVING THE PROBLEM
VI. Philosophy and Psychology (in early modern dress)
VII. The irrational entertainment as rational solution
VIII. Listening with the ear of theory
IX. Expanding universe
X. Form, feeling, finale
XI. Opera as music
XII. Happy endings
Notes
Bibliography
Index
Notes:
Originally published: Princeton, N.J. : Princeton University Press, 1988.
Includes bibliographical references (p. [309]-312) and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
Description based on publisher supplied metadata and other sources.
ISBN:
9781501727405
1501727400
OCLC:
1132229522

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