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The Tale and The Tongue: Radical Listening.

Library Stack Available online

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Format:
Sound recording
Author/Creator:
Pan, Sonia Fernández, Author.
Contributor:
Florez, Ericka, Contributor.
Francke, Anna, Contributor.
Handberg, Chris, Contributor.
Hunziker, Esther, Contributor.
McEvoy, Stephen, Musician.
Pavlović, Kristina, Contributor.
Ritzmann, Marion, Researcher.
Schoch, Steven, Contributor.
Sigl, Konrad, Contributor.
Wilke, Alice, Researcher.
Z'Brun, Vital, Contributor.
Zieser, Elena, Contributor.
Library Stack, distributor.
Series:
Promise No Promises! ; 49
Language:
English
Subjects (All):
Performance art.
Genre:
Interviews
Podcasts
Interviews.
Podcasts.
Physical Description:
1 online resource.
Place of Publication:
[Place of publication not identified], FHNW HGK, 2021.
Summary:
"Radical Listening is the sixth episode that follows a conversation with Ericka Florez. When describing Ericka's work, several terms appear: curator, artist, performer, writer, researcher, early childhood educator... This multiplicity of terms, which refer both to practices in process and to established roles, also indicates an overflow in words. A word that would be important to add to this list is the notion of «in-betweenness»: the ability to be in two places at the same time but without being fully in either one of them. Ericka's project Un hechizo en el espacio [A spell in the space] gave the opportunity to start in a concrete and very important place for her: the city of Cali in Colombia, where several artists worked on what she defines as «un terror de tierra caliente» [hot-earth terror]. The reality of Cali, marked by a subtle and persistent fatality, makes light converge with gloom within its mythologies and practices of excess. As Ericka herself writes in a text with visual shines and shadows, in Cali «there is something that is about to arrive but never arrives». There is a suspension of expectations and social promises which is joined by the suspension of time during the exuberant hours of dancing and partying. In her danceable lecture Sobredosis de amor [Love Overdose], Ericka Florez analyses the narrative structure of «salsa rosa» and its links with drug dealing. The logic of self-destructive excess is also present in the music, where the political strength of classic salsa rhythms is softened by the love lyrics of salsa rosa songs..."-- provided by distributor.
Notes:
Archived and cataloged by Library Stack
Standard Copyright.
Description from resource landing page (Library Stack, viewed on 09/29/2025).
Access Restriction:
Unrestricted online access

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