My Account Log in

1 option

Diagram 3000 [Words].

Library Stack Available online

View online
Format:
Book
Author/Creator:
Alliez
Contributor:
Christov-Bakargiev, Carolyn, Editor.
Collett, Guillaume, Translator.
Drobnik, Stefanie, Proofreader.
Frank, Sam, Proofreader.
Funcke, Bettina, Editor.
Killisch-Horn, Michael v., Translator.
Marten, Cordelia, Editor.
Martínez, Chus, Editor.
Sauerländer, Katrin, Editor.
Weirich, Daniela, Contributor.
Leftloft, Contributor.
Library Stack, distributor.
Series:
dOCUMENTA (13): 100 Notes, 100 Thoughts ; 90
Language:
English
Subjects (All):
Art, Modern--21st century.
Critical theory.
Philosophy.
Contemporary Art.
Genre:
Tracts (Ephemera)
Pamphlets.
Physical Description:
1 online resource.
Place of Publication:
Hatje Cantz, 2012.
[Place of publication not identified], Hatje Cantz, 2012.
Summary:
"In his contribution, philosopher Éric Alliez visually translates his planned book on diagrammatic thought and its implications for the field of contemporary art to the design of the notebook and its text. It is his response to the format of this German-English publication series, for which usually texts of 3000 words were commissioned. His contribution consists of three parts: in the first two originally French parts, only some of the words are legible in their English translation (or in original German), while the rest of the original can be deciphered from underneath the grey bars that cover it, so that the entire context can be decoded by the reader only through a continuous back and forth between languages and visibility and invisibility. Part III, on the other hand, is translated into English and German and printed without any "blackouts." For the author, this intervention embodies the diagrammatic intervention between the (un)speakable and the (in)visible, and reflects what he summarizes at the second of the second part: "This signal-aesthetic (signestésique) policy of art can, in a contemporary sense-which is a strict alternative to its 'conceptual' version-be described as art after philosophy. In an 'after' (après) that is not an 'according to' (d'après) or an analytical finish (apprêt) (à la Kosuth)-to the extent that it is ontologically 'ahead' (en avant), along with postconceptual criticism and the clinic of philosophy that it transports.""-- provided by distributor.
Notes:
Standard Copyright.
Archived and cataloged by Library Stack

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account