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Farocki/Godard: Film as Theory.
- Format:
- Book
- Author/Creator:
- Pantenburg, Volker, Author.
- Language:
- English
- Subjects (All):
- Artists.
- Film criticism.
- Motion pictures.
- Political art.
- Films.
- Genre:
- Discursive works
- Critical Writing.
- Physical Description:
- 1 online resource.
- Place of Publication:
- [Place of publication not identified], Amsterdam University Press, 2015.
- Summary:
- "There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuously been attempts to express theoretical issues by combining shots, thus creating a visual form of thinking. This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory.""-- provided by distributor.
- Notes:
- Archived and cataloged by Library Stack
- Standard Copyright.
- Description from resource landing page (Library Stack, viewed on 09/29/2025).
- Access Restriction:
- Unrestricted online access
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