My Account Log in

1 option

Inflight Magazine #5.

Library Stack Available from 2020 until 2020. Available online

View online
Format:
Book
Author/Creator:
Busch, Hans J.
Contributor:
Adnan, Etel, Contributor.
Arsanios, Marwa, Contributor.
Bishnoi, Prerna, Editor.
Busch, Annett, Editor.
El-Tahri, Jihan, Contributor.
Eshun, Kodwo, Contributor.
First, Ruth, 1925-1982, Contributor.
Ginwala, Natasha, Contributor.
Gutberlet, Marie-Hélène, Editor.
Hardy, Stacy, Contributor.
Jalil, Sehr, Contributor.
Jatoi, Ayesha, Contributor.
Kameli, Katia, Contributor.
Kampmeier, Theresa, Editor.
Majača, Antonia, Contributor.
Ogunbiyi, Temitayo, Contributor.
Shafiq, Afrah, Contributor.
Vazquez, Michael C., Editor.
Library Stack, distributor.
very, Frankfurt am Main, Contributor.
Series:
Women on Aeroplanes ; 5
Language:
English
Subjects (All):
Archives.
Feminism and art.
Feminist theory.
Historiography.
Genre:
Periodicals
Periodicals.
Physical Description:
1 online resource.
Place of Publication:
Women on Aeroplanes, 2020.
[Place of publication not identified], Women on Aeroplanes, 2020.
Summary:
"The figure of the woman on aeroplanes summons the idea of the itinerary of stopovers-in London, Bombay, Calcutta, Accra, Colombo, Paris, Port-au-Prince and Washington DC-that not only speaks of the insufficiency of historiography but requires thinking through the relations between the international, the intra-national and the transnational. Women on Aeroplanes confronts us with the intermittent transmission of interrupted networks that sustain the negotiation between inter, intra- and trans-nationalisms. To turn towards magazines and publications is to think through the implications of world form entailed by periodicals that seek to thematize the work of collectivisation. We turn to magazines so as to think through the work of women's internationalisms as it changes shape, form and outline over time and space. In an off-space that is neither a museum, a gallery, a library or a university, the question of what constitutes attention is not provided by the building or supplied by the institutions. Rather, Women on Aeroplanes entails an ongoing practice of infrastructure. Part of Women on Aeroplanes's role, then, is to create support structures, in Celine Condorelli's term, for sustaining certain kinds of attentiveness that constitute the relations between women, independence, liberation and the difficulties that emerge when liberation movements become ruling parties that take hold of governmental power. That momentous shift brings us to Behind the Rainbow, Jihan El Tahri's majestic cinematic reckoning with this very question. It is to this film, with its parallel narrations of turning points and its asymptotic attention to delayed decolonization, encumbered emancipation and incomplete independence, that we should now turn our attention."-- provided by distributor.
Notes:
Archived and cataloged by Library Stack
Standard Copyright.

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account