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Frederik De Wilde, Beyond the Liminal: Ultra Black Art In Dark Times.
- Format:
- Book
- Author/Creator:
- Aspord, Élise, Author.
- Series:
- PostScriptUM ; 11
- Language:
- English
- Subjects (All):
- Neurosciences--Philosophy.
- Technology and the arts.
- Art and technology.
- Neurosciences.
- Genre:
- Tracts (Ephemera)
- Pamphlets.
- Physical Description:
- 1 online resource.
- Place of Publication:
- [Place of publication not identified], Aksioma Institute for Contemporary Art, 2014.
- Summary:
- "From the first human artistic expression in cave paintings until now, black has been constantly reinvented by art. Like other 20th-century artists (Rothko, Malevic, Klein) before him have done, Belgian Frederik De Wilde explores the nature of colors and produces monochromatic works, but focusing on black in a radical and scientific manner. In Hostage, as art historian Elise Aspord explains, he has created a material made up of a vertical alignment of nanotubes of carbon that can absorb almost all rays of light, thus giving a new universal reference for black. This work is the result of a close collaboration between scientists and an artist. It adheres to an aesthetic of the void and raises a paradox, making the darkness visible. Frederik De Wilde and his mysterious nanoblack invite the spectator to feel the "black shock" that is experienced when watching the unknown and the invisible."-- provided by distributor.
- Notes:
- Archived and cataloged by Library Stack
- Standard Copyright.
- Description from resource landing page (Library Stack, viewed on 09/29/2025).
- Access Restriction:
- Unrestricted online access
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