Small-scale sacred music / Matthew Locke ; transcribed & edited by Jonathan P. Wainwright.

Format:

Musical score

Author/Creator:

Locke, Matthew, 1621 or 1622-1677, composer.

Contributor:

Wainwright, Jonathan P., 1961- editor.

Royal Academy of Music (London, England : 1822- ).

Series:

Early English church music ; 0424-0359 67.

Early English church music, 0424-0359 ; 67

Standardized Title:

Vocal music. Selections

Language:

English

Latin

Subjects (All):

Motets.

Canons, fugues, etc. (Chorus).

Sacred vocal duets with continuo.

Sacred vocal trios with continuo.

Sacred songs (Low voice) with continuo.

Choruses, Sacred, Unaccompanied.

Sacred vocal duets.

Sacred vocal trios.

Genre:

Motets.

Art music.

Sacred music.

Scores.

Songs.

Physical Description:

1 score (xxviii, 225 pages) ; 33 cm.

Place of Publication:

London : Published for the British Academy by Stainer and Bell, [2025]

Language Note:

Latin and English words ; notes in English.

Contents:

Latin sacred music. One voice & basso continuo. Bone Jesu, verbum Patris ; Two voices & basso continuo. Agnosce, o Christiane ; Cantate Domino canticum novum ; Jubilate Deo ; O Domine Jesu Christe ; Omnes gentes plaudite (pt. 1), Ascendit Deus (pt. 2) ; Recordare, Domine ; Canons. O bone Jesu miserere mei (Canon 2 in 1) ; Sanctus, Sanctus, Sanctus, Dominus Deus Sabaoth (Canon 3 in 1) ; Gloria Patri, et Filio (Canon 4 in 2) ; Domine Jesu Christe (Canon 6 in 3)

English sacred music. One voice & basso continuo. Then from a whirlwind oracle ; Two voices & basso continuo. And a voice came out of the throne ; Come, honest Sexton (The passing bell) ; I know that my redeemer lives ; Lord, let me know my end ; O how pleasant and how fair ; Three voices and basso continuo. A hymne, o God, becometh thee in Syon ; Arise, o Lord ; Behold! How good and joyfull a thing it is ; Blessed is the man ; From the depths have I called ; In the beginning, o Lord ; Let God arise ; Lord, now lettest thou thy servant ; Lord, rebuke me in thy fury ; O give thanks unto the Lord ; O Lord, heare my prayer ; O Lord our Lord, how marvailous is thy name ; Prayse our Lord all the Gentils ; Sing unto the Lord a new song ; When I was in tribulation ; Canon. Glory be to the Father, and to the Son (Canon 2 in 1)

Appendix 1. Pieces with problematic attributions. Laetatus sum ; Cantate Dominum, et invocate nomen eius ; Quid faciemus cum tuba de caelo intonare ; Urbs caelestis, urbs beata ; Vox dilecti mei ; As on Euphrates shady banks we lay (pt. 1), Remember Edom, Lord (pt. 2) ; I to thy wings for refuge fly (pt. 1), Now in the winter of my years (pt. 2), Lord to my pray'rs incline thine ear ; My pray'rs shall with the sun uprise ; New composed ditties sing ; Now great Jehovah reignes

Appendix 2. Anonymous pieces in Royal Academy of Music MS 108 possibly by Matthew Locke. Vox clamantis in deserto ; Confitebor tibi, Domine ; Laudate pueri Dominum ; Beati omnes qui timent ; Laudate Dominum ; O pretiosum et admirandum convivium ; Regnum mundi ; Ecce Maria genuit nobis salvatorem (Canon 4 in 1).

Notes:

Figured bass not realized.

Includes "...compositions suited for domestic-devotional settings during the Commonwealth and Restoration periods, works crafted for early Restoration cathedrals, churches, and chapels (including the Anglican Chapel Royal), and pieces intended for Catholic devotions." ..."[O]rganized into distinct categories: 'Latin sacred music' ... and 'English sacred music'."

ISBN:

0852499787

9780852499788

OCLC:

1535996536

Publisher Number:

9790220230202